Cthulhu is an interesting case in the world of horror literature. Although easily the most popular of Lovecraft’s creations, so much so that the Lovecraftian interconnected literary universe is referred to as the Cthulhu mythos, he actually doesn’t make many actual appearances in the bulk of mythos tales. In H.P. Lovecraft’s original stories, Cthulhu only appears once in “The Call of Cthulhu,” then is only referenced in other stories. The closest thing to another physical appearance is the account of the star-spawn of Cthulhu’s battles with the Elder Things in “At the Mountains of Madness.”
The reason for Cthulhu’s scarcity is most likely due to both Lovecraft’s preference to suggest horror rather than show it outright and the phrase “Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn.” Those who have read the “The Call of Cthulhu” know that it means which translates as “In his house at R’lyeh, dead Cthulhu waits dreaming.” As a being who can only awaken “when the stars are right” to destroy the world as humanity knows it, it makes little sense to have Cthulhu constantly awakening. Having a human protagonist repeatedly defeat him would destroy all sense of the Great Old One’s menace and having Cthulhu fulfill his destroy would drastically reduce the amount of stories that could be written in the same universe. No, it is far better to have Cthulhu wait silently in the background, as the idea of his rising is far more frightening than a story about it could ever be.
That said, Cthulhu is a very impressive monster and the temptation to use him in a story must be enormous for Mythos writers. Many have picked up where Lovecraft left off, with stories ranging from straight horror to pure comedy. One of the more infamous ones is August Derleth’s “The Black Island,” wherein an atomic bomb is dropped on Cthulhu! Although that tale is sadly unavailable online, I have gathered a nice little collection of other stories that involve Cthulhu in one way or the other:
“From the Parchments of Pnom” by Clark Ashton Smith is more of a description of the contents of a fictional book than it is a story, but it does offer some insights on Cthulhu, including a family tree!
Although sadly incomplete, the preview for Ian Watson’s “The Walker in the Cemetery” is enough to whet the reader’s interest. Like all the stories in the Cthulu’s Reign anthology, “The Walker in the Cemetery” deals with what happens to the world after Cthulhu rises. However, this story is unique in its depiction of Cthulhu. Not only does it feature multiple aspects of Cthulhu in various sizes, but a seven foot tall one traps a bunch of tourists in a never-ending Genoan cemetery and starts to slowly pick them off. Just keep in mind that it comes off more as a 80’s European gore movie (with some Rose of Iron thrown in for good measure) rather than a straight Lovecraft story.
“A Colder War” by Charles Stross takes us to an alternate version of the Cold War, one where the Russians have a secret weapon from a sunken undersea city…
Although Cthulhu only has a minor appearance of sorts in Bruce Turlish’s “The Final Pronunciation,” the importance of it cannot be denied and it has dire consequences for everyone involved (although not in the way one would expect).
Did you like the artwork used at the beginning of this article? It’s by a very talented artist named Cyril van der Haegen and has been used on the box art for the Call of Cthulhu Collectible Card Game published by Fantasy Flight Games. Both Fantasy Flight Games and the artist were kind enough to let me use that painting in this and if you like it, I hope that you’ll at least visit their websites (if not buy a copy of the game). Interestingly enough, said card game has “story cards” in it, which could potentially let players create their own tales of Cthulhu…
Thanks to Fantasy Flight Games and Cyril van der Haegen for use of the image!