Guest Post: Mr. Bertram Bertram, Haunt Expert

[As you may recall, we once got in touch with one Mr. Bertram Bertram, soliciting his expert opinion and analysis for our readers. As one of the foremost Haunt Experts around (you may continue to find his expertise readily available here), we were incredibly pleased to hear back from him again. He discusses his absence and continues a fascinating dive into the world of Haunts. We are once again honored to present his writing here at GdL16.]

Bertram BertramI apologize for my grossly late update to this continuing series of writings on the haunt industry that I began what seems like so long ago.  At its inception, the intention of this subsequent piece was to be an investigation into the history of the haunted attraction in America. This indubitably required an exhaustive inquiry so I turned up my shirt cuffs, donned my Indian silk writing jacket and dispatched my manservant, Walter, to the manor library to retrieve the necessary books and periodicals post-haste.

After an eve without dinner, the next morrow with no breakfast, followed by a missing brunch, I suspected that something might be amiss. I ventured to the library wing fearing that Walter had inadvertently stumbled into the forbidden tomes section. Obviously, there are strict rules stating that no one but myself may access those shelves, but any man, especially one of lesser social strata possessing the weak constitution characteristic of their ilk, can fall prey to the temptation to open such intriguing compendiums as The Readers’ Digest Series of Albertus Magnus or My First Little Necronomicon–gifted to me by my wet nurse and still cherished for the sentimental value.

Thankfully, my fears were unfounded. I located Walter well away from the stygian stacks. He had been searching for a particular folio when an entire shelf of National Geographic magazines somehow overbalanced and cascaded down upon him in a veritable avalanche of yellow framed covers. I found him trapped under a heap of the gelwaz bindings, bruised and dehydrated but otherwise uninjured.

What I found particularly odd about this event is that I have never subscribed to National Geographic Magazine. I have developed a theory, however, that the magazines spontaneously generate in the presence of any large group of books left solitary for some extended length of time in much the same way that maggots appear on meat left to rot. It’s a theory that I shall have to devise a means of testing at a later date.

After freeing Walter from the tomb of tomes amassed upon him as a cairne memorializing what surely would have been his place of final rest if not for my intervention, I directed him to immediately take a well deserved fifteen minute rest before preparing the afternoon supper. He was appropriately grateful. I have to say that the meal he served that evening was not quite up to his usual caliber of cooking, but due to the events of the day I decided not to dock his pay as a lesson in standards. Never let it be said that a Bertram is inconsiderate to the domestic classes!

Of course, my research into the history of the haunt industry will have to be delayed until I can return the library to order and procure some form of preventative safeguard against future journal genesis. In lieu of my comprehensive history of haunts (to eventually be collected in an anthology), I have directed my attention to a different aspect of the haunt industry with which I will enlighten you, the gentle reader. The topic for my review in this post is the nature of the expectations that exist between haunts, haunters, and guests. Specifically, I will review the guidelines for guest behavior at haunted attractions and the curious reason that necessitates these rules.

The Rules for Guest Behavior

Any guest who visits a haunted attraction will see posted at the entrance a list of rules and regulations for the attendees. In the modern age in which we live, these rules will often be posted on the attraction’s website. Further, certain of the rules will be read to the guests by an actor or sometimes given by a video recording before the guests enter the haunt proper.

These rules are shared by all haunted attractions and have very little variation. The following list is a distilled version of the most common rules in their fundamental, broadly worded form:

  • Do not touch anything.
  • Do not touch anyone.
  • Do not do anything dangerous.

Certainly, any haunted attraction will have posted a much longer list than this trio of tenets. But most regulations can be distilled to these three basics.  I recommend this video from the Wells Township Haunted House as a particularly entertaining example of a more comprehensive set of haunt rules.

The basic haunted house statutes reflect the difficulties common to any public venue that caters to large groups of people who are in a festive mood. Guests at haunted attractions are not necessarily more prone to destructive behavior than guests elsewhere.  Haunted attractions, however, do have difficulties peculiar to their own unique form of entertainment.

Do Not Touch Anything

I once witnessed an adult male patron sprint to this animated, hanging-body prop,  and start lewdly humping the prop’s leg. The prop automatically triggered and flailed violently. The half-witted patron received a swift kick to his groin which amused his compatriots far more than his own bawdy antics.

Haunted attractions have a vast array of intriguing props and set decorations with which guests would understandably want to interact. A guest might assume that a haunt owner would be concerned that an expensive prop might be inadvertently damaged by the guest who wishes to handle it. But what most people fail to realize is that the real danger is not to the props but to their own safety.

Many animated props at haunts are made to be concealed so as to create the most surprising effect possible when they are activated. These props are built on heavy steel frames and are most often powered by pneumatic pistons that operate on hundreds of pounds of pressure. When released, the pistons can propel the props with surprising speed. A particularly dramatic example is featured in this video from the excellent Scare Factory in Ohio of a large character that bursts out of a disarmingly normal dresser.

The foolhardy guest who decides to open a dresser drawer or even just lean up against the piece of furniture could receive a potentially painful surprise.  Experienced haunters build in safety areas blocked discreetly by set decorations to keep guests out of harm, but human foolishness always seems to find a way to stumble into danger.

Sadly, I must postpone further review of the rules for guest behavior for now. It seems that I hear Walter’s shuffling step approaching the study in time to deliver a nightcap before I retire to my bedchamber. I shall return ere long with part two of our little symposium of the strange. So, for now, gentle reader, I must bid you adieu.

I remain,

Bertram Bertram

Remember the Rondos

That banner pretty much sums it up, doesn’t it? The only thing we here at Gravedigger’s Local 16 can add to that is how voting ends this Saturday evening. Please take a moment to vote, all you have to do is copy-paste the ballot (with your choices filled out) and submit it to the email address given at the official website. You’re even allowed to skip parts and vote in anyone or anything that wasn’t nominated!

Killer Videos

Some killer videos that have come across my attention as of late.

First up, big thanks to the High Priest of H. P. Lovecraft, Toren Atkinson. He linked to the long awaited video from The Darkest of the Hillside Thickets. “20 Minutes of Oxygen” is off of their great album Spaceship Zero. It’s unnatural how great this video looks and coincides with the song. A great job by all the Thickets and Mike Jackson’s Steam Powered Films.

20 Minutes of Oxygen – The Darkest of the Hillside Thickets from Mike Jackson on Vimeo.

Second, I spent the last weekend watching this video over and over again. Tesco Vee and his infamous band of music marauders, The Meatmen, wrote a song for The Ded Dave Show. We told you about The Ded Dave Show before. They’re still going strong and, as you can see, Ded Dave has reached out into the music show with his Ded Dave Show Radio Show/Gravecast. Detroit. Death. Sexy Zombie Girls (PS THE VIDEO IS NSFW – ADULTS ONLY). Seems Ded Dave and the Meatmen have a lot in common.

The Meatmen “I Wanna Die on The Ded Dave Show!” from The Ded Dave Show on Vimeo.

Tuesday uEtsy: Spaghetti Kiss

 Tuesday uEtsy

[Etsy.com’s tagline is “Buy, Sell, and Live Handmade.” Coincidentally, there’s a lot of spooky on Etsy, and each Tuesday, we highlight one of the sellers. If you’re looking to spruce up your look, redecorate your tomb or get a gift for that special something in your afterlife, Etsy.com is a place for spooky econo.]

Spaghetti Kiss
http://www.etsy.com/shop/spaghettikiss

GIRAFFE TOWER Womens Dress

GIRAFFE TOWER Womens Dress…Sm, Md, Lg, XL

We here at the Front Office are accustomed to odd occurrences. We’re not so much in horror business, but the odds and ends of existence come with our job. We manage – since our main job description is to manage. Others, however, aren’t so well equipped. Both Strange Jason and Weird Jon seem to be wandering about Union Hall, looking worse for wear. The term “Death Warmed Over” is close, we suppose. Too many sleepless nights can do that to a worker and while the business has picked up lately, we suspect that there’s something more. Perhaps they’ve each seen something that has made sleep unlikely? Or that all that they’ve witnessed has finally caught up with them?

We don’t want to imply that the works of Spaghetti Kiss is something that would banish sleep from your mind, causing you to slowly descend into a realm of unrelenting waking madness. But if you wished to impose such conditions on yourself or all who dare witness you, Spaghetti Kiss is an excellent place to start.

SKULLOPUS Mens Tee

SKULLOPUS Mens Tee…SM, MD, LG, XL

The sea is a place of frights and endless terrors in many shapes that defy the mind of man, adhering to the cruelty of time and location-evolution. Is there a land version of the octopus? No. And you know why? Because man would have the sense to hunt such an monstrosity into extinction. It’s the one thing that we have developed above the beasts – the ability to kill and kill well.

This Skullopus shirt might feature an animal that doesn’t exist in THIS reality, but it represents that multiple arms underwater EQUALS DEATH.

ROBOCTOPUS Womens Tank Dress

ROBOCTOPUS Womens Tank Dress…SM, MD, LG, XL

Of course, man messes with science and nature as if they were genres of fiction and what do we come up with? Roboctupus. Such a great idea – take a multiple-armed horror of the depths and make it a robot. Give it unnatural strength and remove the need for sleep. Thanks, science. Thanks a lot.

SKULL BOT Mens Tee

SKULL BOT Mens Tee…SM, MD, LG, XL

Spaghetti Kiss features the artwork of Michael Bracco, the Baltimore based artist who developed the series ADAM WRECK and NOVO. Baltimore’s proximity to the water might explain some of the nautical inspirations for the many exquisite terrors you see here and over at the Spaghetti Kiss Etsy store. Baltimore is also the famed home for Edgar Allan Poe, which might have had some influence on the man. We can’t really imagine if Poe would imagine a mechanical Skull Bot, but perhaps if he did, it would look eerily similar to the above design. 

YAAARGH Womens Tee

YAAARGH Womens Tee…SM, MD, LG, XL

Speaking of nautical designs, this appears to be a fairly straightforward pirate ship design until closer inspection reveals that it’s a ghost ship, that most of the crew has been slaughtered and left for the seagulls and rats, only to be resurrected to float forever across the rolling waves of the dead. Attractive linework on the design, though. Ghost pirates are always a treat.

MAN BEAST Mens Tee

MAN BEAST Mens Tee…SM, MD, LG, XL

How bizarre is this? If given the choice out of all the creatures featured here, we’d take the animated skeletal remains of a beastly man creature. Perhaps it’s the humanoid features that allow us to empathize or project a certain personality to these bones? Or is it that we know many individuals who closely resemble what this fellow might look like clad in its flesh? Perhaps one day, this creature will walk through the doors of Union Hall and we’ll find out its story; along with it, we’ll likely discover some deep truths that, hopefully, we’re prepared for.

You better be prepared – to head over to Spaghetti Kiss’s Etsy Store, its main site and its presence on Facebook.  And be prepared to return here next week for another Tuesday uEtsy.

The Ben Stiller Show: Manson/Cape Munster/The Legend of T.J. O’Pootertoot’s

Sometimes, horror-comedy can be found in the strangest of places.  The Ben Stiller Show (FOX, 1992-93) is a case in point.  The Ben Stiller Show, a top early-1990s destination for Andy Dick and Cops parodies, had its share of horror/sci-fi sketches throughout its brief run.  Three of the sketches shall be featured in this entry.

No, I don’t consider Ben Stiller and Andy Dick horrific in and of themselves.  Quit asking!


“Manson” is from the tenth episode of The Ben Stiller Show.  Charles Manson is a recurring character on The Ben Stiller Show, something I can type with impunity.

Keep in mind, the show originally aired Sundays at 7:30 PM ET/PT.  Why FOX thought 7:30 PM was a good time slot for edgy sketch comedy, I don’t know.  Perhaps the show was intentionally buried.  In any case, The Ben Stiller Show would occupy that night’s 10:30 PM ET/PT slot by December 1992, fading from view early in 1993.

The Manson sketches are always the same – Manson (Bob Odenkirk) talks crazy.  Here, the recurring segment is stronger, as he’s the Lassie in a Lassie parody.  I’m still not fond of this sketch, given how one-note the premise is.  At least Andy Dick’s playing against type.


More X-meets-Y wackiness from The Ben Stiller Show, this time a parody of 1991’s Cape Fear remake.  Eddie Munster (Stiller) is the Max Cady stand-in.  Guess what this sketch is called.  No, seriously, it’s “Cape Munster!”  Ha ha!  This is from the premiere, since Cape Fear references are a good fit for the Sunday family hour.

This sketch is a little more to my liking.  It’s not a better sketch than “Manson,” but at least it’s a standalone.  Stiller isn’t bad as Munster.  He’s not great, but then, Stiller’s never been a great comedian.  The sketch is well-directed by Stiller, given that he’s aping Martin Scorsese.

I know I’ll catch shit for preferring “Cape Munster” over “Manson.”  In my mind, “Skank” is The Ben Stiller Show‘s best recurring character.  Now SHUT YOUR STINKIN’ TRAP!!!


“The Legend of T.J. O’Pootertoot’s” is one of the best sketches from The Ben Stiller Show.  This is from the final aired FOX episode (its twelfth), and is written by David Cross.  Cross and Odenkirk would go on to create Mr. Show (HBO, 1995-98), which wisely stuck to “T.J. O’Pootertoot’s”-style absurdist pieces and Tom Kenny.

As of this writing, “T.J. O’Pootertoot’s” has been removed from YouTube.  The extant Ben Stiller Show episode is on TheWB.com, which is geoblocked outside the United States.

“The Legend of T.J. O’Pootertoot’s” meets Gravedigger’s Local standards, as T.J. O’Pootertoot was a surviving member of the Donner Party.  The sketch takes its cue from Soylent Green – which means I’ve given the main punchline away, but the sketch has much more to offer than a Soylent Green riff.  I wish Cross had worked on The Ben Stiller Show longer, but the foundation for Mr. Show had to start somewhere.


If/when I find more video links, I’ll post “Cops in Salem, Mass.,” “Low-Budget Tales of Clichéd Horror,” “Woody Allen’s Bride of Frankenstein,” “Bad Twist Ending Theater” and/or “Leslie Chapman, Actor/Dancer/Zombie.”  I’ll even post the “Ask Manson” segments, if I’m feeling masochistic.  If Charles Manson’s albums have taught me one thing, it’s that a little Manson goes a long, long way.

The Banshee’s Halloween

It’s Saint Patrick’s Day here at the local again and I thought it best to take a break from the usual Leprechaun franchise related posts this year. Instead, let’s read a selection from Irish-American author Herminie Templeton Kavanagh’s novel Darby O’Gill and the Good People called “The Banshee’s Halloween.”

Although the Irish (and horror) connection is obvious, some might question the use of a story about Halloween on St. Patrick’s Day. However, the story itself explains why it’s a-okay:

“Halloween night, to all unhappy ghosts, is about the same as St. Patrick’s Day is to you or to me— ’tis a great holiday in every churchyard. An’ no one knew this betther or felt it keener than did Darby O’Gill, that same Halloween night, as he stood on his own doorstep with the paper of black tay for Eileen McCarthy safely stowed away in the crown of his top-hat.”

As you have probably guessed, the classic Disney film Darby O’Gill and the Little People was based on Herminie Templeton Kavanagh’s Darby O’Gill tales. However, the film’s banshee differs greatly from the one in this particular tale. In fact, I have heard that the film drew most of its material from the second book, The Ashes of Old Wishes and Other Darby O’Gill Tales.

Happy St. Patrick’s Day!

Update Your Bookmarks and Links

A lot of changes are coming up for us here at Gravediggers Local 16.

First off, as of April 01, we will no longer be using the blogger site (gravediggerslocal.blogspot.com) but moving completely over to our current locale, http://www.gravediggerslocal.com. For those of you who still view the blogger location, please update your bookmarks and links.

The new site will still be renovated while we bring you new content each week. We should have everything fixed and settled over the next handful of months.

With the new format and features, we want to make it easier for you to read and share what we write here at GdL16. You’ll notice that each new article has a button for all your social media sharing needs. We would be most appreciated if you took the few seconds to click one or more to tell your friends about what we do here.

If you’ve followed us on twitter (@GdL16) you’ve seen that we’re starting up a podcast. On April 01, we will release the first episode of 6’+, a free podcast of music and more. Every two weeks, a new episode of 6’+ (‘six foot plus’) will be made available for you to download.

The goal of 6’+ is to provide an entertaining program of music while showcasing some of the music groups, both new and old, that we think you should know about. One of our next renovations is to put more info up under the 6’+ button you see above.

We’re not entirely sure what 6’+ will include but like all things we do, we’ll start digging and see what we come up with.

There are plans to increase the content on this website. Strange Jason has actually been roused from his hibernation. We’ve gotten back into the swing of doing Tuesday uEtsy. N. Oremac has been seen lurking around the shadows. So rest uneasily knowing that the minds of Gravedigger’s Local 16 are busy at work.

Remember, you can follow @GdL16, @WeirdJon and @StrangeJason on Twitter. You can also follow 6’+ over at @6ftpls. N. Oremac hopes you don’t follow him so he can get away with murder.

Tuesday uEtsy: Carissa Rose Art

Tuesday uEtsy

[Etsy.com’s tagline is “Buy, Sell, and Live Handmade.” Coincidentally, there’s a lot of spooky on Etsy, and each Tuesday, we highlight one of the sellers. If you’re looking to spruce up your look, redecorate your tomb or get a gift for that special something in your afterlife, Etsy.com is a place for spooky econo.]

Carissa Rose Art (http://www.etsy.com/shop/NeverDieArt)

All Shook Up

All Shook Up Art Print By Carissa Rose 11×14

Flowers.

The sole trustworthy declaration of Spring here at the Local is the appearance of these beds of wildflowers that sprout up at the edges of the grounds ‘round the Front Office. Sure, there’s also the sight of Madam Lady Ulster’s sandwich board, advertising her services; or when Gulko brings the last of his  winter’s homebrew to share at Union Hall. Or when someone catches Strange Jason as he scratches his left cheek more often than usual, the moisture getting to his skin.

But flowers. Poinsettia usually is the first to spot them. They burst up, usually near the stone walls out back. These vibrant colors that dot the landscape disrupt the monotony or enhance the natural color.

Flowers take many shapes. They’re not all just plants: a well placed bit of graffiti; a green tie in the middle of a black suit; a favorite mug, set nearby at your desk.

The Tuesday uEtsy this week features Carissa Rose’s artwork. We here consider her use of color as potent anything you’d find in nature and highly suggest you utilize a print or two of hers in your everyday life. We as people find ourselves caught between white walls and under grey skies until, all too soon, we’re laid under concrete slabs. Let us enjoy the color before we find ourselves swallowed up by black.

Dismantle Me

Dismantle Me Art Print by Carissa Rose 11×14

Black, as it is, is the collection of every color. So the colors in the Dismantle Me piece above might not so much disappear into the background but emanate from it. Carissa Rose wields black as an empty space as proficient as any color, which adds a great amount of depth to her paintings.

Wasted Youth

Wasted Youth Art Print By Carissa Rose 11×14

See how the black makes the Wasted Youth print more sinister. The subject stares back with a bit of guarded disdain in her eyes. Billy Idol sneer. The character’s expression is one you would emulate when dealing with deplorable coworkers on a Monday morning when all you want is your coffee. It expresses that you’ve undergone some experiences that would be best left untouched. So best back away. Buy it for the office and see how much more productive you become when people leave you alone.

Girl With The Neck Tattoo

Girl With the Neck Tattoo By Carissa Rose 8 x 10

Neck tattoos. Remember when they were dangerous? When tattoos started becoming tame, the neck tattoo was one of those that still conveyed that idea that whoever had one was not to be fucked with. No chingas. Now, your mother is getting a neck tattoo. This piece, one of few available from Carissa Rose that display only black and white, harkens back to the day when a flower on the neck of a woman meant you could flirt but damned your soul forever would be if you followed.

Wind Me Up

Wind me Up Art Print by Carissa Rose 8 x 10

Along with the above piece, Carissa Rose has a series of zombie related prints – Zombie Dolls and Pin Up Ghouls – that solicit a mixture of reactions. The natural beauty of the character blends with the slight revulsion that the individual is dead, decaying and gangrene (though, who knows. That might be your thing.) The pairing of attractive models and an unreality is also present in this work. A blonde mechanical girl sits naked, skin colored with markings and artwork. Both she and the woman on her arm share the same expression, heightening the idea that she’s not human. It’s an interesting piece and something you might consider hanging in the bedroom with your favorite wind-up playmate. Or perhaps giving to your boss.

Atomic Garden II

Atomic Garden II Art Print by Carissa Rose

The second of two thermonuclear apocalypse pictures available from Carissa Rose effectively snatches up a smirking acceptance of doom and destruction. When facing what might be the oncoming annihilation of life as we know it, the best course of action is to face it head on.

And face it, we hope you do. Visit Carissa Rose Art over on Etsy and be sure to like her on Facebook, where you’ll find updates to her work. She currently has a sale going on. Can’t beat that. You can try, but once you fail, come back here next week for another Tuesday uEtsy.

The Worst of Troma?

While reading through the Wikipedia entry for Croaked: Frog Monster from Hell (aka Rana: The Legend of Shadow Lake under a new title), I noticed the following comment:

“In his book All I Need to Know about Filmmaking I Learned from the Toxic Avenger, Troma president Lloyd Kaufman lists this film as one of the five worst Troma films ever made (along with The Capture of Bigfoot, also directed by Bill Rebane).” Searching for “worst” in the Amazon preview for the book even backed up this claim. Intrigued, I decided to see if I could find the other four.

It was pretty easy to find Curse of the Cannibal Confederates, also known as The Curse of the Screaming Dead. It’s also known as being a gored-up remake of the worst movie ever made, Night of Horror. Although he doesn’t flat-out say that it’s one of the “big five,” Lloyd Kaufman’s numerous comments regarding Big Gus, What’s the Fuss? make it very easy to tell that it is.

But after that discovery, the online trail went cold. Troma fans apparently think that Fortress of Amerikkka is the worst, but I could not find anything that indicated Mr. Kaufman felt the same way. Although his comments that The Girl Who Returned is “boring” and that “if you put two monkeys in a room with movie cameras they will make The Girl Who Returned in twelve days” seem to indicate it is one of the worst, his later comment that it’s one of the Troma library’s “overlooked stars” shoots that theory to hell.

So what is the final film in the list of Troma’s “bottom five?” I wish I could say that I knew the answer. Hopefully one of our loyal readers will give me the answer. It will be interesting to see if it was actually made by Troma or if it was an outside production that they bought the rights to (like the first three titles I discovered).

Tuesday uEtsy: Corso Studio

Tuesday uEtsy

[Etsy.com’s tagline is “Buy, Sell, and Live Handmade.” Coincidentally, there’s a lot of spooky on Etsy, and each Tuesday, we highlight one of the sellers. If you’re looking to spruce up your look, redecorate your tomb or get a gift for that special something in your afterlife, Etsy.com is a place for spooky econo.]

Corso Studio (http://www.etsy.com/shop/CorsoStudio)

Witch Hat Necklace

Witch Hat Necklace

For this week’s Tuesday uEtsy, we bring you the finer metal jewelry from Corso Studio. A maker of grand pendants, necklaces and earrings, Corso Studio has for you a wide range of items to wear on your wrist, around your neck and close to your heart.

I Love Brains Zombie braaains that is Fast Free Shipping

I Love Brains Zombie braaains that is Fast Free Shipping

Let us not forget brains, and this piece declares your commitment to the organ – though your interest in the grey matter may not be strictly medicinal (or ethical.) We won’t assume. With a green brain, two hearts (in case you need a spare) and a blade with blood of lovely green, this wonderful necklace has it all. The radioactive isotope* (*not radioactive) evens out the piece. Want to startle someone with green for St. Patrick’s Day in a way they aren’t expecting? Here you go.

Human Creepy Big Toe Necklace Free fast Shipping

Human Creepy Big Toe Necklace Free fast Shipping

Perhaps you’re more for a podal-centered individual, eschewing brainstems for insteps. Or, perhaps you’ve decided that having a rabbit’s foot is too cruel to animals for your tastes and find that something on equal footing (no pun attended) with yourself. The Human Creepy Big Toe Necklace will bring you good luck or, at least, something to use to scratch lottery tickets or use to hitchhike. Thumbs are so two centuries ago.

You Staked my Heart Lovers 2 pc Necklace set

You Staked my Heart Lovers 2 pc Necklace set

Speaking of the 1800’s, perhaps you’re an undying blight mocking the face of the creator, a scorn of man and devourerof all hope. And you have a hot date. What do you want to give them that will mean something more than a typical gift?

You Staked my Heart Lovers 2 pc Necklace set

Flowers, unlike you, die. And chocolate doesn’t really work if you’re going to be the bane of your lover’s species. How about a piece of interlocking jewelry that says ‘I trust you enough to give you the methods to finally destroy me and restore hope to your fetid race, only because I love you.’ Better than a fruit arrangement, if you ask us.

Flurry of Bats Vampire theme Necklace Free fast Shipping

Flurry of Bats Vampire theme Necklace Free fast Shipping

Perhaps you hold yourself at a minimalist-level. You think that a restrained hand is one that is graceful and classy. While some might mark their arms with full sleeves of macabre scenes from the minds of many nameless devils, you opt for the right kind of clothing and a small gesture that subtly says “I’m the real deal.” Corso Studio has for you this Flurry of Bats necklace. Simple. Elegant. Just the right kind of accessory to raise concern and fear in the hearts of your enemies.

Bride of Frankenstein goth Necklace with 2 inch pendant

Bride of Frankenstein goth Necklace with 2 inch pendant

Corso Studio offers a wide selection and this spotlight hasn’t touched on all that is available at their store. Pendants advertising your mental instability, your take-no-prisoner-I’m-a-woman attitude and even pendants made to demonstrate support for our men and women in the armed forces. The above, showcasing the iconic Bride of Frankenstein, is a fine display of the overall quality that Corso Studio offers for you.

Head over to their Etsy Store and take a look at the incredible selection. We’ll be here, waiting for you to return in time for the next Tuesday uEtsy.

Ghost Provokers

Ghost hunting shows are ripe for parody, so it was only a matter of time before someone created a comedy series on the subject. Ghost Provokers offers a humorous look at one group’s unique method of dealing with the dead. My personal favorite is the three-part Halloween special set aboard the RMS Queen Mary, which also features music by the Midnight Syndicate. But enough talk, here it is, direct from the show’s official channel:

Out of this World Alive

This year marks what would have been Vincent Price’s 100th birthday. I was listening to this song a lot before today; it helped me get through the last fifteen hours of misery.

Tuesday uEtsy: Ghoulish Gary

Tuesday uEtsy

 

[Etsy.com’s tagline is “Buy, Sell, and Live Handmade.” Coincidentally, there’s a lot of spooky on Etsy, and each Tuesday, we highlight one of the sellers. If you’re looking to spruce up your look, redecorate your tomb or get a gift for that special something in your afterlife, Etsy.com is a place for spooky econo.]

The Art of Ghoulish Gary (http://www.etsy.com/shop/GhoulishGary)

Rains have driven away most of the snow and the top layers of dirt have loosened up. The first real good shovelful won’t come until later in the month; usually the end of March, or in April perhaps. You feel it the moment the spade breaks the earth.

Until then, we here at the Local continue to maintain our respective posts. Representatives head out to union members, checking in on conditions and reporting back. While things in town are considerably slow, word out of Madison says there are a lot of people digging their own graves. This year will be a busy one.

With the increased amount of business, we’ll be able to afford a higher quality of decoration around here at the Front Office. We’re glad, since we recently discovered the artwork of Ghoulish Gary.

Immaculate Pumpkin – 8.5 x 11 Limited Edition Giclee Print

Ghoulish Gary has a distinctive style that seamlessly melds the bizarre with the realistic, producing some wonderful collaborations of imagination and reality. This is a print from Ghoulish Gary’s ‘I Remember Halloween’ Show shows that what many of us here at the local have – a heart for Halloween. Since we don’t discriminate at the Local, the question of religion never comes up. We don’t know if any of our undead individuals subscribe to any particular faith, or if this Immaculate Lady of Hallow’s Eve is a particular figurehead of a system of belief. It’s quite gorgeous, however. You can have this print and dedicate how much you believe in Halloween.

Coffin Joe Canvas Print 11×14

As we progress into the year, Strange Jason has been talking more about an upcoming project and how he has been researching into out of North America for possible fellows. Taking it international or making everything local, he says. Maybe when he does research into Brazil, he can bring us back some Coffin Joe material.

José Mojica Marins created the maniacal character Coffin Joe, a fiend looking for his perfect bride. As a filmmaker, Marins has developed a strong low-budget style to his movies. Here, Ghoulish Gary pays tribute to him.

Vincent Price 8.5 x 11 Print

Similar in generating an aura of spooky and macabre like Coffin Joe, we have the master himself, Vincent Price. Always a charmer, the latest person to fall under Mr. Price’s good looks is miss Poinsettia, who has been watching the Dr. Phibes movies every day for the last week now. We think her father tried to tell her that Mr. Price has been dead for over fifteen years now. But when has death ever stopped anyone? If she saw this print by Ghoulish Gary, I’m sure she would sell whatever she could to ensure it would be hanging from her wall. Bernie said that money is tight at the moment, even with the upcoming work. Maybe he’s saving for something?

Hilarious House of Frightenstein – 11 x14 Limited Edition Print

If you remember the Hilarious House of Frightenstein, chances are you’re Canadian (just like Mr. Ghoulish Gary.) Chances are that you loved it, too. Vincent Price did the opening narration, but you see Igor, the Wolfman and Count Frightenstein in this limited edition print. A must have for any spooky Canuck.

Lovecraft Canvas Print 11×14

Ghoulish Gary’s depiction of Local favorite Howard Philips Lovecraft is appropriate since a lot of the author’s memorable horrors came up from the depths. The lips and eyes might have been plucked off of Dagon himself. One must commend Gary.  Providence, being a seafaring town, might have been an inspiration. We don’t know if Gary has ever been. Maybe Strange Jason can give him a guided tour.

Find Ghoulish Gary’s site over at www.ghoulishgary.com, where you’ll learn that he is Gary Pullin, who has been the Art Director for Rue Morgue Magazine for the last ten years!  Don’t forget to go over to his Etsy store.

And remember, all artwork copyright Gary Pullin 2011. Pictures posted with permission. Thank you, Mr. Ghoulish Gary. And than you, reader, for visiting GdL for another Tuesday uEtsy.

Winter’s Eve

Nox Arcana
Official Site
Winter’s Eve, Monolith Graphics 2009

Damn it, not again! Oh well, thank goodness bird poop is white...

Winter can be a time of both wonder and woe. While the falling of snow delights many, other look upon it with dread. The gray skies of daytime, coupled with the bare branches of trees looking like grasping hands rising from a grave and longer hours of darkness, make for a dreary mood. The howling winds don’t help, either. But in spite of that, there is beauty in the drifting flakes and virgin snow blanketing everything, with icicles glittering like crystals. Noting both sides of the season, Nox Arcana has released two winter-themed albums, Winter’s Knight and the CD I’ll be reviewing today, Winter’s Eve. All performers save for Michelle Belanger have returned for the sequel, as you’ll soon see…

“The Messenger” uses chanting male vocals to start off both the album and this intro track, wherein the voice of the White Queen (played by Christine Filipak) tells of a magical winter season. “Frozen Memories” evokes a nostalgic feeling through tolling bells and light touches that remind me of ice crystals. The medium piano and light chimes of “Magic and Moonlight” make me think of nighttime and wonder, with a pinch of magic. Some aspects of this also remind me of The Nutcracker. String work defines both “The Rose of Winter” and “Enchanted Realm,” although that last one is heavier and has more light touches. “The Ides of December” uses a speedy, heavy piano along with female vocals and magic-sounding light touches. It becomes hauntingly beautiful at the times it slows in both speed and tone. The name “Gifts of the Magi” makes me think of both the three wise men and the story by O. Henry, although the Middle Eastern drums and percussion make the inspiration for the song clear. “Season of Wonder” uses a piano, along with light touches and female vocals to create a dreamy feel. The string and ye olde tambourine work of “Solstice Dance” conjures up images of a medieval ball.

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Winter’s Knight

Nox Arcana
Official Site
Winter’s Knight, Monolith Graphics 2005

Do my wings look odd to you?

Sometimes Christmas music can be creepy. There’s a version of “Carol of the Bells” floating around out there that, thanks to the tone and speed of the children’s chorus singing, always unnerves me a bit every time I hear it. Sensing the connection between Christmas and spooky stuff, Nox Arcana released Winter’s Knight in 2005. It might seem odd to review a Christmas-related album at this time of year, but let’s not forget that the title of the album focuses only on winter and the flakes are still falling…

For this album, Joseph Vargo and William Piotrowski are joined by designer/photographer Christine Filipak, Eric Gustafson and the Gregorian Shadow Choir, and two other guest performers (who I’ll name later) to provide vocals.

“Vigil” uses the sounds of wind and bells to create a lonely mood that ushers in the intro narration about a ghostly knight by Joseph Vargo. “Ghosts of Christmas Past” is both eerie and Christmasy, thanks to its tolling bells, heavy piano and vocals. Just as the title suggests, the music has the feel of recalling the past. “Ebonshire” is named for the fictional forest setting of the album. It’s much less spooky than the last song…for introduction, anyway. The vocals and string work give it an old and dreamy feel. The dark opening piano of “Solitude” reflects the mood suggested by the track’s title. In contrast, the light opening notes and vocals “Crystal Forest” set a much lighter tone for this. You could easily play this at a Christmas party without any looks of confusion over using “spooky” music.

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Adolph Caesar (1933-1986)

Even if he had not appeared in episodes of The New Twilight Zone and Tales from the Darkside, I would still be writing about Adolph Caesar today. For although his name might not be familiar to you, odds are that you’ve heard his voice before.

Born in Harlem on December 5th, 1933 (some sources claim it was in 1934), Caesar eventually got into theatrical acting “just as something to do.” Before that, however, he joined the Navy after graduating from high school and eventually rose to the rank of chief petty officer. He started learning his craft at New York University. Although he had several television appearances and a feature role in the late sixties, Caesar took to the stage by joining the Negro Ensemble Company in 1970, later working with repertory groups like the Inner City Repertory Company, the Minnesota Theater Company and the American Shakespeare Company. It was around this time that he got into voiceover roles, lending his voice to countless commercials and film trailers. Although he did participate in the English dub for the animated French spoof Shame of the Jungle in 1975, he didn’t officially return to the screen until 1979’s The Hitter, which was followed by several other film roles while still providing voiceovers for a wide variety of ads and previews. One can easily imagine audiences being bowled over the split second they realized “The Voice” was onscreen. 1984 brought him what could arguably be his biggest acting break, playing Sergeant Waters in the film adaptation of the play A Soldier’s Story (a role he also played onstage). Just as how his stage portrayal netted him an Obie award and a New York Drama Desk award, his work on the film earned him an Oscar nomination. He also appeared in the Oscar-nominated The Color Purple as Old Mister Johnson, and made several other film and television appearances until 1986. On March 6th of that year, Caesar was in the process of playing the character Leon B. Little in the film Tough Guys when he suffered from a fatal heart attack. As he had only completed a single day of filming, his footage was scrapped and the scenes were refilmed with Eli Wallach in the role. In honor of his past work with the company, the Negro Ensemble Co. started the annual Adolph Caesar Performing Arts Award Benefit. Although his career was cut short far too early in life, he is survived by his wife, three children and legacy.

I’m not just referring to his acting roles, either. Although it’s true that he added a measure of class to schlockfests like Fist of Fear, Touch of Death and Shame of the Jungle and that his appearances will be shown in repeats and various home video formats for decades to come, it is his vocal work that defines him. From the 70’s through the 80’s, he was the voice of a generation, providing voiceovers in ads for everything from groceries to Michael Jackson’s Thriller album. Remember the line “…because a mind is a terrible thing to waste” from the United Negro College Fund commercials? Caesar originally provided that line. He was everywhere, on a scale rivaled only by the late Don LaFontaine. Although he narrated movie trailers (along with TV and radio spots) for both major studios and independents, his raspy, resonant voice provided an extra “oomph” to cult titles (especially horror films). He lent his voice to trailers for the original Dawn of the Dead, The Incredible Melting Man, both Blacula movies and countless others. It’s no wonder that when National Lampoon was putting together their Golden Turkey album, they tapped Adolph Caesar to record the hilarious ad for the faux movie “Prison Farm.”

While his work in that area was looked upon fondly by genre fans even while he could still be heard in theaters, appreciation for him only grew amongst horror fans as ads featuring his work often appeared numerous times in the many trailer compilation video cassettes of the 80’s. In more recent times, trailers featuring him have appeared on DVDs as special features, which tend to later get uploaded online on video-sharing sites and torrents. Narration from vintage trailers was reworked for use in ads for more recent movies like From Dusk Till Dawn and the Grindhouse edition of the Machete trailer. I have even heard a song using samples from his narration from the preview for Halloween 4: The Return of Michael Myers trailer by the Meteors called “Halloween Scream” last October! I think it’s safe to say that fans will continue to hear his amazing voice for many years to come. For a more in-depth look at Mr. Caesar’s work on cult film trailers, please visit his entry at the Grindhouse Database.

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