Music to Haunt By: House of Nightmares

Buzz Works

Official Site

House of Nightmares, Monolith Graphics 2010

What's worse than going into a haunted house?  Going into a radioactive haunted house...

While browsing through the ol’ Google Analytics page, the sheer number of people who read the Nox Arcana and Buzz Works installments of “Music to Haunt By” after searching for “House of Nightmares” convinced me that I simply had to review Buzz Works’ newest release.

Given how the above links already give the origins of Buzz Works and its Nox Arcana connection, let’s jump straight into the review. The titular track “House of Nightmares” opens with moaning, thunder and theremin-style wailing music. Tolling bells, a chanting male chorus and other sound effects add to the spooky feel created by the occasionally John Carpenter-esque music. Similarly, “Night Closes In” has something of a Carpenter feel to it. The pounding music gives one the sensation of time running out or being chased (perhaps that explains the moaning effects), while the contrasting music box-like chimes add to the sense of unease. I can easily see this track being used in a room setup involving a chase or perhaps even a haunted nursery. The moans that close it out also leads the listener into “Book of the Dead,” where moaning and male vocals creepily chant over heavy, pounding music. Haunters should find that this will greatly enhance the feel of a room containing a spooky-looking spellbook prop, especially if it’s played so low that it can only be heard when people approach the book. In fact, you can make it even scarier if you use a motion sensor that starts playing the music when people get close enough.

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Julebukking

You'd better "knot" mention that again...

While discussing the Krampus with some family members, my mother mentioned that, during her pregnancy with me, a Swedish aunt of hers had told her of a deer or goatlike creature called the “Julebukk” which helped pull Santa’s sleigh.

From what I’ve been able to tell, the tradition started with the legend of the Norse god of thunder, Thor! Thor was said to ride across the sky in a chariot drawn by two goats, Tanngrisnir and Tanngnjóstr (roughly translated as “Toothgnasher” and “Toothgrinder”), the sound of which created the sounds of thunder rumbling. According to the “Prose Edda,” Thor was known to kill the goats in order to have food, which he would share with others. After the meal finished, Thor would use his powers to revive them as if nothing happened. This led to a now-defunct Swedish winter tradition of having someone dress up as a goat, pretend to get sacrificed and is later “revived.” But as Christianity spread throughout Europe, all references to Thor were stripped away and the creature was transformed into a Yule Goat or “Julebukk” (roughly translated as “Christmas buck”).


But the Julebukk was no mere goat. Some traditions said it was half human, while in others, it is a nasty beast that frightens children. But over time, this was softened into a friendly, magic goat that brings presents and tells funny poems. Naturally, this was merely a family member or friend dressed in a costume. Although Father Christmas (aka Santa Claus) eventually took over such duties, the goat became his assistant in some cultures. In some places, the Yule goat figure was actually turned into a human Santa Claus figure! That said, the Julebukk’s nasty past wasn’t completely removed from the character, as the newer depiction also has a mischievous streak. Also, straw Yule Goats became popular Christmas ornaments among Scandinavian cultures. In fact, the downstairs mantle of my childhood home had a straw Julebukk decorating it, but I had never knew of its significance until recently.

The Julebukk also led to the tradition of Julebukking (aka “Christmas fooling”), which involves going door to door for treats in disguise between Christmas and New Year’s Day. Originally, carrying a goat’s head was part of the tradition, but that was phased out in favor of just wearing goatish costumes. Julebukking traditions vary, but all share the basic idea of going from house to house in disguise to get treats. Does anyone else think that sounds kind of familiar? As for the various traditions, some hold that Julebukkers disguise their voices and body language and don’t go to the next house until their identity is uncovered while another tradition requires the singing of Christmas songs. Sometimes a person from the visited home will be required to join the Julebukkers on their trip to the next home! It’s not just practiced in Europe, either. According to this, there are still some communities in the US that still continue this ancient tradition. If any of our readers do this, we hope that you’ll post your favorite Julebukking memories and pictures here.

Chris Scalf Rules

If you have yet to see any of Chris Scalf’s amazing artwork, then you’re seriously missing out. From the pages of G-Fan (who, along with Bob Eggleton, have become the-in my opinion-top artists for the magazine) to the covers of various Star Wars and Battlestar Galactica comic books, Mr. Scalf’s work has graced numerous publications and pleased fans worldwide. To be honest, I’m shocked that a cult DVD label has yet to hire him to spice up the cover art for their releases.

Those intrigued by my praise for the man are highly advised to visit his official website, blog and Youtube channel to see examples of his work. You won’t be disappointed!

We Wish You a Mythos Christmas

The H.P. Lovecraft Historical Society has given the world a ton of cool Lovecraft-themed goodies, from the modern silent movie version of The Call of Cthulhu to the “Dark Adventure Radio Theatre” audio drama series (as covered in my review of The Shadow Over Innsmouth installment). They’ve even released not one, not three, but two Christmas albums! Both A Very Scary Solstice and An Even Scarier Solstice are chock-full of creeped up Christmas classics and the only thing scarier than the subject matter is just how good the singing is! But don’t take my word for it, just check out this fan-made video for “I Saw Mommy Kissing Yog-Sothoth” from A Very Scary Solstice by aabeeceed.

As if that wasn’t enough, the HPLHS also has a page with free sheet music and clips from the albums!

Merry Christmas!

Christma(dnes)s

Well, it’s that time of year again. Last-minute shopping and schedule-rearranging, coupled with the weather and other surprises are at their maximum this week and the resulting stress is killer. So, as a warped tribute to the madness so prevalent before the big day, here’s a collection of weird ‘n wild Christmas-related horror goodies that weren’t lengthy enough to get their own separate articles:

Ho ho ho!  I took on the Martians and won, so these goblins don't stand a chance!

The above graphic comes from Elizabeth Anderson’s children’s tale, The_Goblins’ Christmas. It’s an odd little story that hasn’t gotten much attention since its initial publication in 1908 and I’m fixing that by providing you all with a direct link to the illustrated full text. Just be warned that some of the language used isn’t very politically correct and some children might find the eventual fate of the goblins upsetting.

Speaking of stories, Charles Dickens’ A Christmas Carol greatly helped give Christmas its current focus on familial togetherness and generosity, as its celebration had previously been dwindling and focused more on drinking and wild partying (Wikipedia offers a brief-yet-informative look at Christmas before and after its “reformation”). However, it had one other interesting effect on the holiday: It forever linked ghosts and Christmas in England! Not only was Dickens soon forced to pen other ghost stories (both directly Christmas-related and standard spooky stories without a holiday theme), but it became customary to tell ghost stories at Christmastime.

Don’t believe me? heck out the description in this audio drama collection of British ghost stories or the introduction of this excellent review of The Stone Tape (includes spoilers). Like A Christmas Carol, The Stone Tape had a lasting impact…on paranormal studies. Come to think of it, I wonder how much Dickens’ membership in The Ghost Club had to do with A Christmas Carol (or vice-versa).

Oh look, someone decided to give the Pride and Prejudice and Zombies treatment to A Christmas Carol, how…unnecessary. What’s next, a zombie-filled version of Edison’s Conquest of Mars?

On the plus side, It’s Beginning to Look a Lot Like Zombies isn’t nearly as obnoxious and its humorous carols are a great way to spice up a winter zombie walk. Or, if you prefer reading stories to sheet music, The Undead That Saved Christmas anthology should be more appealing. Both links give you free previews of each book, which I highly recommend checking out.

Despite being known primarily for spooky music, Nox Arcana has also released two Christmas albums (with a touch of darkness). They also offer Christmas cards featuring Joseph Vargo’s amazing artwork on their official website!

The Amazon.com preview for Monte Beauchamp’s The Devil in Design: The Krampus Postcards offers a wealth of vintage art depicting our old friend the Krampus.

For those wanting a Merry Fishmas, I recommend this festive plush wreath featuring Cthulhu.

Those of you who read my Man or Astro-Man? article might remember their robot-themed side project, Servotron. But what you might not know is that they did a Christmas-themed vinyl EP called There Is No Santa Claus! featuring cover art by Shag!

Finally, here’s the Google Books preview for I’m Dreaming of a Fright Xmas by Alan-Bertaneisson Jones. It’s a highly informative and surprisingly lengthy (given the subject matter) tome devoted to Christmas-themed horror movies. I hope you enjoy it as much as I did!

Gravedigger’s Local 16 is not to be held responsible for the content on or anything that may occur (be it good or bad) as a result of visiting any links on the above sites, downloading from them or constructing a project that’s detailed on them. This also applies to any suggestions made here. Attempt at your own discretion.

I’m Gonna Spend My Christmas With A Dalek

Although I’m not a fan of Doctor Who, I must admit to having a fondness for Daleks. Their unusual appearance is both visually pleasing and does an excellent job of hiding the fact there’s a human performer inside. This was an intentional (and brilliant) choice by Dalek creator Terry Nation and designer Ray Cusick, which gives the Daleks a truly unearthly appearance and sets them apart from the the series’ plethora of goofylooking alien creatures and robots. Is it any wonder that the Daleks have been repeatedly mistaken for robots, both in the context of the show (they’re actually octopus-like mutants in mechanical suits) and in terms of the special effects used to realize them onscreen? Besides, you have to love their frequently badass lines.

It should also be noted that the Daleks’ distinctive plunger arm is due to it being a last minute replacement for a mechanical claw the original costume used. One of the actors allegedly voiced concern that people could get injured by the claw and a spare toilet plunger was all that could be found on such short notice.

I wasn’t the only one captivated by the Daleks, as “Dalekmania” swept across the UK immediately after their debut in the second serial of the first season of Doctor Who in 1963 (and continued through February 1964). Not only would battles with evil aliens become cemented as a regular staple of the program, and tons of licensed merchandise (and two feature films) soon followed. Said merchandise including a 1964 holiday novelty song called “I’m Gonna Spend My Christmas With A Dalek” by the Go-Go’s:

As you’ve probably gathered from the song, the Go-Go’s in question are not the ones who did “We Got the Beat.” These Go-Go’s were a 60’s group consisting of Mike Johnson, Alan Cairns, Abe Harris, Bill Davison, Les McLeian and Sue Smith (who provided the childlike vocals in the above song). Surprisingly, famed British songwriter Les Vandyke penned the song, albeit under the name “Johnny Worth!”

Gravedigger’s Local 16 Christmas Flashback

Although most of our Christmas content is posted in December, there have been occasions where such articles had to be posted before December rolled around. As a result, they have sadly become under-appreciated.

So to remedy the situation, please let this entry act as the Ghost of Christmas Past (of the non-cybernetic variety of course) and take you to some selected winter and Christmas-related articles from years past:

Winterbeast
Krampusmas
Happy Horrordays!
Christmassacre in July
Nixon and Hogan Smoke Christmas
’tis the season…FOR HALLOWEEN SHOPPING?

Chanukkill

Cut his effin' head off!  YOU CAN DO EET!

Long-time readers will remember my struggles with coming up with a good idea for a horror-related article about Chanukkah (and Kwanzaa, for that matter). Although I’m still clueless about what to do for a Kwanzaa article, I wound up stumbling across something that blew away my original idea for an article about golems.

For you see, my reading through the Wikipedia entry for the holiday lead to me seeing a painting of a woman holding a severed head! Although it wasn’t the same one used in this article (Judith with the Head of Holofernes by Lucas Cranach the Elder), Cristofano Allori’s Judith with the head of Holofernes was a still an attention grabber. As it turns out, there’s a minor Chanukkah custom of eating cheese and other dairy products that is linked to the story of Judith and Holofernes.

According to book of Judith (“Yehudit” or “Yehudis” in Hebrew), Bethulia was under attack by the Assyrian general Holofernes and his men, who strengthened their control by blocking of the village’s sole supply of water. Things were looking very bleak for the inhabitants, until a widow named Judith approached the village elders with a plan. She would go to Holofernes while pretending to be someone sent by God to aid him until she was able to lull him into a false sense of security and do away with him. Needless to say, the plan worked perfectly and the general was smitten by the beautiful stranger. After spending three days at his camp, Judith feed him wine and cheese until he fell asleep. Seizing the opportunity (and the man’s own sword), she quickly cut off his head and secreted it out of the camp. Some accounts claim that she was assisted by her servant, apparently done to differentiate the story from that of Salome, which is similarly decapitation-based. In any case, Holofernes’ men were demoralized by his death and the sight of his head inspired the villagers to drive off the invading army.

Now, despite the fact that the book of Judith is deuterocanonical (not a part of the Hebrew bible and is thus “non-canon”), some sources credit Judith’s actions with allowing women to be included in the obligation of lighting candles for Chanukkah. In any case, the account is very popular and has inspired numerous works of art in addition to the previously-noted traditions. Come to think of it, this also makes the Local horror-themed nickname for Chanukkah more appropriate than originally thought.

Happy Chanukkah!

More Fiends of the Local

Once again, I’m paying tribute to the fine folks that pay us tribute:

Rach on Film
Terror Titans
Deadly Serious
Video Cultures
Secret Fun Spot
Holy Miss Moley
The Witch’s Hat
Werewolf Kibble
Mike and movies…
The Spooky Vegan
Horro’s Gory Reviews
Rough Ride Creations
raculfright_13’s blogo trasho
This, That…The Other Thing
Simon McNeil – Life in Toronto
The Last Blog On Dead-End Street
Dr. Goremans Nightmare Emporium
Custom Zombie’s Undead Ramblings
The World of Einstein & Pencil Shavings

Thank you!

Forget Turkey Day, it’s Turtle Day!

We here at Gravedigger’s Local 16 celebrate Godzilla’s birthday every year, but what about Gamera?

Regular readers of this site are no doubt familiar with Japan’s favorite giant, flying turtle (that breathes fire to boot). If not, then you need to read this. Now. In either case, what you may not realize is that the first Gamera movie came out all the way back in 1965 on this very da…What? It came out on the 26th? Seeing as how I’d have to wait until 2015 to have this article posted on the correct day and still have it be Thanksgiving at the same time, I’ll think I’ll just celebrate a day early. I’d probably still be too busy being in a food coma to write this up tomorrow anyway.

In honor of Gamera’s birthday, I wanted to post something really unique and special. So let’s look at the Gamera movie that never made it. After 1971’s Gamera vs. Zigra (the 7th film of the original series), Daiei planned on pitting Gamera against a giant serpent called Garasharp. Although things apparently got to the point where a costume was made, Daiei’s bankruptcy effectively ended the project. Sadly, the costume was either unavailable, unusable or forgotten when the Tokuma Shoten publishing company bought Daiei and released Gamera: Super Monster in 1980. It’s a shame, too, as doing so would have spiced up what little new Gamera footage was shot for the film (which largely consisted of stock footage from the previous entries in the series).

However, fans did eventually get a chance to see Garasharp. For you see, a short film was created about the film for the release of the Gamera series on LaserDisc (and later carried to DVD). Using a combination of interviews and narration over concept art, storyboards and models, the basic plot for the film was revealed. Thanks to kaijusroyaume, we can watch it right this instant:

I don’t know much Japanese, but the basic gist of the video is that Gamera would fight and eventually kill Garasharp. Although Garasharp dies, it was able to give birth to either two offspring or a single two-headed creature. Being the friend of all children, no matter what species they are, Gamera spares the offspring’s life by flying it to a deserted island to live out its days in peace. The end also offers a tantalizing glimpse at another monster in addition to Garasharp: a bulky orange monster on four thin legs that isn’t shown in the synopsis detailed in the video. Apparently, this creature is named “Malcobkarappa” and its name seems to indicate that it’s a mutated fungal growth of some kind, presumably something that was originally growing on (or in) Garasharp.

Hopefully, Kadokawa Pictures (the company that bought Tokuma Shoten and now owns Daiei’s assets) will see fit to revive Garasharp and Malcobkarappa for a future Gamera film. Until then, we’ll have to make due with the information gathered here. I’m just thankful they made that video showing what could have been.

UPDATE: The kaiju costume noted above might not have been Garasharp after all! Based on the reference to the costume’s two heads, it might have been a costume made to depict Wyvern, a different Gamera foe who never appeared onscreen. Then again, based on some notes about Garasharp and Wyvern, one kaiju might have been gradually redesigned into the other! It also turns out there was an earlier attempt at a Gamera movie which never got made…

Happy Thanksgiving!
Happy (Early) Birthday Gamera!

Edison’s Conquest of Mars

Oh no, nothing phallic here...

No, this is not a book/DVD release of an old silent movie like Edison’s Frankenstein. It’s actually the unauthorized sequel to H.G. Wells’ classic novel, The War of the Worlds!

The year was 1898. Wells’ alien invasion classic had been published in complete book form after being serialized the year before in Pearson’s Magazine. During that same time, an unauthorized version of the story was serialized in a New York newspaper and 1898 saw another unauthorized serialization published by the Boston Evening Post, that was retitled as Fighters from Mars. In both cases, each of the pirated versions changed the setting of the story to the city the newspaper was published in, something that only increased Wells’ dismay over the unauthorized works.

Although such flagrant acts of intellectual property theft might seem mind-boggling, such things were all too common in America during that time. Bootleg books were a big business back then, with the USA being the 19th century equivalent of China today when it comes to unauthorized DVDs. Despite pleas from famed authors like Charles Dickens, a combination of isolationists and those who profited from said bootlegs successfully pushed for the government to refuse signing any international copyright agreements. In fact, it was not until about 1988 that the United States signed onto the Berne Convention, which had been in existence since 1886!

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Rampage

As a fan of Japanese monster movies, it should be no surprise that Rampage is one of my all-time favorite video games. For the uninitiated, Rampage is a 1986 video game by Bally Midway that allows players to control one of three giant monsters and wreak havoc across the USA by smashing buildings (but being careful not to be on one as it collapses) and eating people. The monsters in question are George the gorilla, Lizzy the lizard and Ralph the werewolf. But those names meant nothing to me as a little kid when I first encountered the game during a family vacation in Vermont; I knew King Kong and Godzilla when I saw them. I had no idea why there was a giant werewolf and even to this day I’m still not entirely sure. My best guess is that the programmers decided to throw in a non-traditional giant monster so they could claim that had only used enlarged versions of random animals if the owners of Godzilla or King Kong ever threatened a lawsuit. I also recall being baffled over Lizzy only breathing fire after eating certain items that took away health and how the monsters turned into human beings after losing too much health, but I still had tons of fun smashing cities anyway.

Although not the first game of this nature, an honor that belongs to 1981’s Crush, Crumble and Chomp!, the influence of Rampage cannot be denied. Is it mere coincidence that The Movie Monster Game (notable for actually licensing Godzilla) came out that same year? The game Ramparts (not to be confused with Rampart by Atari) came out a few months after Rampage debuted and has been accused of being a thinly disguised knock-off. If not for the success of Rampage, it’s quite possible that the 90’s King of the Monsters series and 2003’s War of the Monsters might not have come into existence.

Said success eventually resulted in the release of 1997’s Rampage World Tour, which added a storyline, bonus superpowers and the occasional computer-controlled monsters that had to be defeated. The series continued (and added new player-controlled monsters) with Rampage 2: Universal Tour, Rampage Through Time, Rampage Puzzle Attack and Rampage: Total Destruction.

Although the original game is often available as an unlockable bonus in many of the above games, there’s also a way to play it if you don’t have them. Just make sure you have Shockwave enabled and click here for some city-smashing fun!

Costume Crazyness 2010

Back when Weird Jon wrote “Son of Shameless Cross Promotion,” he had no idea that the “Costume Crazyness” series would be dropped from URBMN the very next year due to changes in the site’s format and would be moved to Gravedigger’s Local 16. Neither did I, for that matter, but the site had changed so much since then and both the owner and I agreed that it would make more sense over here. Sadly, this happened after I had written my update for the Halloween countdown and what little free time I had was soon devoured by other things. So rather than disappoint fans of the series by not doing a 2010 installment I decided to post it in November, just like a Halloween episode for any given animated comedy series on Fox. But enough about that, let’s get to the knock-offs and other assorted costume oddities!

Holy crap, they made a Pai Mei knock-off? That’s…pretty cool, actually. It’s a shame they referred to a Chinese character as a Japanese “sensei” rather than the proper “sifu” though. They also lose style points for not calling it a Bak Mei costume.

Scream knock-offs? That is so 1996. I am somewhat impressed by the fact that the last one is also a knock-off of Ex Mortis’ Stalkarounds. You rarely see something rip off two different costumes at the same time.

This is just a “Ragga Muffin Sailor” costume and not Raggedy Andy. Right…

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Guest Writer: Mr. B. Bertram

[Recently, we got in touch with one Mr. Bertram Bertram, soliciting his expert opinion and analysis for our readers. As one of the foremost Haunt Experts around (you may find his expertise readily available here), we were incredibly pleased to hear back from him and are honored to present his writing here today.]

Observations on a Peculiar Entertainment
by Mr. Bertram Bertram

When I was first contacted by the Gravediggers Local to contribute to the publication, I demurred. My time was simply too restricted to allow for proper reflection and coherent narration upon the subjects to which I am most engaged. Yet now that October has again given way to November (which seems to happen with increasing regularity), I found myself idly wandering the stacks of the manor library in vague disquietude.

My manservant, Walter, concerned with my saturnine mood, suggested that I revisit the Gravediggers’ invitation to share with you my vast experience in the field of haunted attractions. Walter’s reminder was timely. After fortifying myself with his excellent cucumber sandwiches and black coffee, I was ready to embark upon this project that I know will be as educational for you as it is enjoyable for me.

The Basic Idea
“Haunting” and being a “Haunter”, in my field, refers to working in the haunted attraction industry. In the broadest possible terms, a haunted attraction (or “haunt” for brevity’s sake) is any dedicated venue that seeks to entertain patrons using elements of horror, the macabre, and/or the supernatural. This definition does not include horror movies or horror based theater plays because the theaters in which they are experienced feature many different genres over time.

However, films, film technology, and many elements of theater are incorporated into modern haunted attractions. Further, dark rides, such as Disneyland’s Haunted Mansion, are considered haunted attractions because of the overall theme, not because of any particular use of technology or level of intensity. There are, of course, grey areas to these definitions that I will explore later. But for now, this should provide a basic concept of a haunted attraction for our discussion.

What Do We Do?
Much of my work has been, first, as a performer then as an advisor to performers in haunts. We are often referred to as haunt actors, but I find that label a tad misleading. We certainly do act in our work as haunters, but it’s a peculiar form of acting that incorporates facets of several types of entertainment finally brought together into a unique type of performance.

We haunters create a form of entertainment that is similar to theater, movies, stand-up comedy, and performance art. Like theater, we create artificial characters that communicate their basic natures through costume, makeup, spoken words, embodied actions and constructed environments. We utilize technology and special effects that have been developed for theater and for Hollywood films. We interact with patrons on an individual basis each night like a stand-up comedian who finds source material in the audience, but who also must defend against hecklers. Lastly, we create immersive fantasy worlds in which to perform, complete with sound tracks, odors, props, lighting and pathways for guests. These environments are more akin to site-specific artworks than to 3-walled sets found on theater stages.

We may or may not be required to support an overall narrative. We may or may not say the same lines each night we perform (assuming that our character has lines). We may not even be performing as the same character each night. Lastly, we risk bodily harm each night from the environments in which we perform, but mainly from the guests who may be so caught up in our performance or in their own inebriation that they find it acceptable to physically attack us in ways that only the worst stand-up comedian has ever suffered.

In Closing
So you see that being a haunter is, at the most basic, a unique type of performing in a strange medium of entertainment. This is an adequate introduction to my series of short articles. I hope that I have whetted your intellectual appetite for further discussion of my peculiar field of study. I will return soon with more commentary on working in the haunt industry.

For now I remain truly,

Bertram Bertram

For He’s A Jolly Good Kaiju…

…which nobody can deny!

That’s right, it was on this very day that the first Godzilla was released in Japan. So what better way to celebrate the first Godzilla movie than by watching Godzilla movies? Thankfully, Crackle has a bunch of streaming Godzilla films available online and they’re all legit.

If you want more streaming tokusatsu fun (albeit not Godzilla or Toho-related), head on over to Hulu to watch episodes of Johnny Sokko and His Flying Robot and Ultraman Towards The Future (known as Ultraman Great in Japan). But parents should keep in mind that level of violence might be an issue in Johnny Sokko and His Flying Robot and that a character swears in the 5th episode of Ultraman Towards The Future.

Finally, here’s a cool Godzilla blog that you should check out.

Happy Birthday Godzilla!

Day of the Dead

Muy bonita!

It’s el Dia de los Muertos! Seeing as how I explained the holiday last year, let’s skip straight to the fun stuff!

Have you ever read about the delicious-sounding Mexican pan de muerto (bread of the dead) and wanted to have a taste? Well, you’re in luck, because I found a two page recipe for it in John Lithgow’s (yes, that John Lithgow) Boredom Blasters: Halloween Edition. Although it’s not quite the traditional Mexican sugar skull, Skull-A-Day does have a recipe for sugar skull cookies.

But there’s more to the Day of the Dead than just food, there’s also the beautiful folk art, also known as “La Calavera Catrina” (The Elegant Skull). Both Senora Muertos and Ethan Cranke have some incredible stuff inspired by the holiday that I highly recommend checking out.

Speaking of checking stuff out, here’s a picture of a Santa Muerte figure in front of a fortune teller’s parlor in Mexico’s Chinatown. Ain’t multiculturalism grand?

Feliz el Dia de los Muertos!

Happy Day of the Dead!

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