Costume Crazyness 2011

I’ve been doing this for the last three years and the amount of knock-offs and bizarre costumes has yet to diminish.

It never ceases to amaze me just how many variations there are of the Scream mask, both knock-off and licensed. Seriously, look at all of the freaking knockoffs I found this year. The (what I assume to be) licensed stuff is just as odd. We have a Bobblehead variant of the costume, a women’s masquerade ball-style costume, a scarecrow version and even a “zombie” version! The “Zombie” name seems to be due to how it looks similar to the redesigned Michael Myers mask in Rob Zombie’s take on Halloween.

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6′+ Episode 16 is Up!

To quote the description given at the new listing:

“Happy Halloween! We’re celebrating here on 6′+, the finale of the set of episodes dedicated towards Halloween Music. We’ve got a mix of treats for you, with bands like Rocket From The Crypt, Blag Dahlia, Clarence Brewster, Cenobites, The Fuzztones and others! This should get you in the spirit for Halloween, plus! PLUS! We have the new single from Zombina and the Skeletons!”

You can find all episodes of 6’+ over at the official site as well as on iTunes. We’re also on Facebook and Twitter.

More Tricks and Treats

Oh!

Since I had so much fun putting together my first “Tricks and Treats” article last year, I thought I’d give it another go:

Thanks to Hulu, you can watch horror movies like The Blair Witch Project or Raiders of the Living Dead online for free!

In addition to his show being syndicated nationwide on Me-TV, Svengoolie (one of the local’s favorite horror hosts) will be hosting a monster movie marathon on This TV this Halloween!

The Canadian haunted attraction Nightmares Fear Factory has both Flikr and Facebook albums devoted to hilarious pictures of people who have been scared in said attraction

Have you ever read August Derleth’s “posthumous collaborations” with H.P. Lovecraft and wondered just how much of the story was actually by Lovecraft? Well, wonder no more, as you can read H.P. Lovecraft’s commonplace book (which Derleth used for the collaborations) here.

Google Books offers complete uploads of old LIFE magazine issues, which I used to find this old article about Halloween. And thanks to the full views of Billboard magazine, I was able to find two amazing issues from the 80’s dealing with video stores’ Halloween promotions (along with tons of vintage ads for now-defunct VHS companies’ horror output).

I don’t know about you, but I was shocked when I found out that >There’s Nothing Out There and Liquid Sky had official websites. Similarly, the co-writer of Meet the Hollowheads has put up the production diary for the film online.

For those of you not satisfied with last year’s selection of free pumpkin carving stencils, here are some Squidbillies stencils you can carvify.

If you’re going out as a Ghostbuster this year, you might find these plans for making a slime blower replica handy.

My Coke Rewards has a free discount coupon for Halloween Horror Nights at Universal Studios while Newbury Comics has a “20% off all Halloween items” coupon.

If you request a free catalog from Skirmish paintball, you’ll receive a free DVD featuring a brief (but hysterical) segment about a Dracula-themed paintball battle.

Here’s a funny list of 30 ways to confuse Trick or Treaters. That said, this should along be regarded as an amusing read rather than a how-to guide. Be a good sport and give out goodies. If you want to confuse them, I’ve found that wearing a costume while answering the door tends to help.

If you really want to trick them, why not try one or more of these spooky ideas from Ed Morrow’s The Halloween Handbook.

Finally, Chris Kullstroem’s Making a Monstrous Halloween has tons of spooky prop ideas while Country Living Happy Halloween! offers up several spooky ideas for Halloween decor and haunted house scenes.

Gravedigger’s Local 16 is not to be held responsible for the content on or anything that may occur (be it good or bad) as a result of visiting any links on those sites (or constructing a project that’s detailed on them). Attempt at your own discretion.

Hauntstyles of the Rich and Famous

Remember the fictional haunted house that I wrote about in “The Ultimate Haunt?” You know, the multistory haunted house where you get a partial refund for each floor you complete (but no one has ever completed it since it’s so scary)? Well, it turns out that it now has a name The Chimera House.” Not to be confused with “The House with Chimareas,” it’s Wikipedia page reveals a new twist to the urban legend: Apparently the story has inverted in on itself and the house become an actual supernatural location masquerading as a haunted attraction! Another variation has the Chimera House located inside an abandoned hospital. Speaking of Wikipedia, I want to thank Atomic Mystery Monster for being kind enough to update the Chimera House entry for me so that it wouldn’t get deleted. While AMM noted how the legend was the basis for a story in a horror anthology called Haunted Houses, he neglected to link to a (partial) preview for said story (which features the author’s ideas on what the first two floors would be like). However, the story is not the inspiration for the name, as it came out years after the earliest reference to the name “Chimera House” I could find in 2005. Poking around Google Books also led to my discovering a haunted medical center called “Chimera House” being featured in the novel Ghost of a Smile by Simon R. Green. While I can’t say for sure whether or not this was inspired by the legend or merely a coincidence, I did think it was interesting. Searching online also revealed that variations of the legend were still going strong, with a prank radio broadcast by the Q102 Freak Show helping fuel the fire. Perhaps it’s a good thing the legend hasn’t died, as groups of people roaming around in search of the Chimera House are bound to wind up at other haunted attractions and help boost business.

My research also led to me rediscovering one of the haunted attractions believed by some to be the inspiration for the Chimera House, Britannia Manor. In case you didn’t read my writeup about it in “The Ultimate Haunt,” I’ll provide a brief explanation. Game designer Richard Garriott used to run an elaborate haunted house in his home every October. How elaborate? Besides the enormous expensive of transforming his mansion into a haunted house, patrons would have to sign waivers and pass fitness tests in order to participate, as they would have been overcome various obstacles (such as swinging over a pit) in order to advance! The Wikipedia entry for it has much more information about the history of the haunt. Although it ceased operation in 1994, its legacy lives on. Several of the people who worked at it went on to form the similarly elaborate (and interactive) Wild Basin’s Haunted Trails in 1996, which ran until 2005. After that, the props and volunteers were utilized in an expansion of Jarrett Crippen’s (aka “The Defuser”) home haunt in 2007. Now located at the Austin Elk’s Lodge #201, Scare for a Cure was born. The haunt eventually became a non-profit and Garriott began sponsoring the event two years later, allowing the event to be held in the unfinished “Britannia Manor Mark 3.” You can find more information at both the official website and official Facebook page.

Now that we’ve gotten the “rich” portion of this portion taken care of, let’s move on to the “famous” part. The House at Haunted Hill in California began as a simple home haunt. But as the years went on and the crowds got bigger, the creators (Lighting Designer Matt Ford and actress/singer/dancer Lori Merkle Ford) decided to make it something extra special. Television screenwriter Ed Valentine was tapped to write the script and composer Christopher Hoag created the unique score. On top of that, Corey Burton lent his vocal talents as the voice of the narrator. You might remember his dead-on impression of Paul Frees, the “Ghost Host” of Disney’s Haunted Mansion. As if those famous names aren’t enough, even NPH himself is a fan!

As for the haunt itself, it’s an entirely-automated show that can be seen by those who walk by the house. That’s right, it’s a free show! While spooky, it is appropriate for all ages and runs from 7:00 PM to Midnight on October 28th, 29th, 30th and 31st. For directions, please visit the official website or the official Facebook page.

Halloween Harry’s Alien Carnage

Nobody probes me and gets away with it!

Ah, the golden age of shareware. As a video game crazy kid, shareware was a big part of my life. As I did not have an internet connection at the time, a friend of mine from up the road would download games onto a disk and bring them over to my house so we could play. The cheap floppy diskettes containing various shareware games sold at local convenience stores were also an option. ZZT and Jazz Jackrabbit were a huge part of my elementary school years, especially ZZT’s game creating abilities.

The subject of today’s article was a product of those days. Originally called Halloween Harry, this side-scrolling platform shooter that pits you against zombies and aliens had its name changed to Alien Carnage due to fears that the game would only sell well in October. Wikipedia notes that while the first episode was released as shareware during the game’s “Halloween Harry” days, episode three became the free shareware giveaway when the name change, which meant that half of the game could be played for free. Wikipedia also has some handy information about the sequel and the never-realized animated series. I could be wrong here, but I think the only other shareware release that let you play more was 3D Realms’ own Shadow Warrior, which let you play all but the final episode for free.

Of course, that’s meaningless now, since the full game was released as a free download in 2007. 3D Realms has also given away another game from their early days away as a free download: Bio Menace. Said game has you battling various mutant monsters through the streets of Metro City. Those who read its Wikipedia page will also find out how to access a special Easter Egg in it. Happy gaming!

Special thanks to 3D Realms for the use of the image!

As always, Gravedigger’s Local 16 is not to be held responsible for anything that may occur (be it good or bad) as a result of downloading from any links given here. Attempt at your own discretion. Blah blah blah…

Slime Time

When you think of homemade slime, chances are you think of the classic recipe involving cornstarch and water. However, there are numerous other ways to make your own slime:

Martin Bridge Blazing Ahead! by Jessica Scott Kerrin and Joseph Kelly has a recipe that uses Gummi Bears as the principal ingredient!

Susan Ohanian’s From Pumpkin Time to Valentines suggests making slime using oatmeal!

Prize-Winning Science Fair Projects for Curious Kids by Joe Rhatigan and Rain Newcomb has a recipe that seems closer to the type of slime you can buy in stores. The secret ingredient? Powdered laundry booster.

Plastics and Polymers Science Fair Projects by Madeline P. Goodstein does something similar, this time suggesting Borax (along with necessary safety tips for using it).

That reminds me. I remember reading that the actress who played the little girl in The Monster That Challenged the World once did an interview where she revealed how the titular monster’s slime was created using only water and a particular brand of soap flakes. Does anyone out there know the recipe?

If you want, Peggy Ashbrook’s Science is Simple has an experiment you could do with your slime. If only similarly simple directions were given for making this slime-powered musical instrument!

Please make sure to wear old clothes while trying these recipes, as they might stain certain fabrics and/or surfaces.

UPDATE: I found the interview I was talking about and it turns out she is unable to remember the exact brand used to make the flakes. In fact, it seems like any brand of soap flakes will do.

Gravedigger’s Local 16 is not to be held responsible for anything that may occur (be it good or bad) as a result of constructing a project that’s detailed on any links. Attempt at your own discretion.

The Cramps were in a Cat Food commercial

Or specifically, a target ad featuring a pale H.P. Lovecraft looking motherfucker being stalked by his British Grey shorthair in regards to the deals on Catfood available at Target.

Insane.

The opening notes were from either “I was a Teenage Werewolf” or their cover of “Rockin’ Bones.”

 

Edit: Someone put video of it up!

Psyched by the R/C Witch

You know that would really be cool at a haunted hayride? Rounding a corner and hearing a witch laughing from above (thanks to a speaker hidden in the trees), with a witch flying on her broomstick appearing in the sky. Sound impossible? It’s not, thanks to flying radio controlled planes designed to look like a witch. Our first example is a video showing such a plane purchased from flyingthingz.com, as uploaded by capjlp:

Alternately, there’s a custom version that’s flown by Youtube user worrdabd:

Just keep in mind to check with your local government about air regulations before flying your R/C witch, as they can apply to radio controlled aircrafts. Checking a magazine like Fly RC can also be of use.

Sunday Thinking

Sunday Reading is postponed because the books that I ordered were shipped to a wrong address due to my latent and completely irrationally undiagnosed dyslexia put down “915” instead of “951,” sending the books to the imaginary place in between a laundromat and a guy wielding motorcycles in his garage.

The sickness is almost gone, though. I should be able to finish strong on Halloween.

 

 

Hanson’s Haunted Farm and Hayride

Wow, I didn't know Johnny Legend was a haunted attraction employee...

Location: 20 Nixon Road, Framingham, MA 01701 (Directions)
Dates/Times: Oct. 7-8, 14-15, 21-22, 28-29, 7:00 to 10:00 pm (Dates/Times and prices subject to change as years go by)
Admission: $12 per child 12 and under, $14 per adult (Call ahead for groups of 10 or more)
Phone: (508) 877-3058
Website: http://www.hansonsfarm.50webs.com

Although I wasn’t able to visit any haunted attractions last year, thankfully that is not the case this year.

When it comes to haunted attractions in Massachusetts, Middlesex County is desolate and Hanson’s Haunted Farm seems to he only “real” haunted attraction in the area. Seriously. After years of online research, the only other permanent haunted attraction in the area I was able to find was a yard haunt in Marlborough and I recently heard rumors of an elementary school in the area that allegedly does a haunted house, but could find no references to it online. Occasionally another haunt would show up, only to vanish the following year. Sadly, I always found out about said haunts the year they failed to return. My theory is that most of the people in that area have somehow failed to realize that Spooky World has long since moved away from Berlin, MA and feel it’s pointless to try to compete with them. In fact, I’ve found that this attitude towards any particularly successful business is quite prevalent throughout the area. In short, Hanson’s Farm is the only game in town.

Hanson’s Farm was founded in 1908 and is currently operated by the family’s 5th generation. While I do not know for sure how long they have been running haunted farm and hayride, I did overhear one of people in front of me commenting on how he had been visiting it for the past 10 years! I should also note how their founding date is referenced in the haunted hayride as an injoke (but I won’t spoil it by telling you how). If at all possible, you should pick up some of their fresh fruits and vegetables, as they’re delicious and usually much bigger than what you’d get at a supermarket. When you approach the farm, be sure to note that parking for the event is across from the farm itself. Although you might see a line in front of the haunted house, you have to buy tickets in the farm store (you’ll recognize it since all the lights are on). While there, be sure to keep an eye out for free goodies, like discount coupons for Party City (formerly iParty).

The haunted farm/house is actually an open-air maze of sorts made from wooden fences. The Hanson’s Farm crew very cleverly set it up so that you can’t see directly into the haunt while waiting in front of the entryway. They also have the first scare positioned in such a way that you can (usually) hear the screams of its victims not too long after they enter, which nicely builds suspense and anticipation amongst those waiting in line. Quite frankly, I’m surprised nobody took advantage of the haunt’s fence-based construction to get an extra scare by jumping up and screaming while customers passed by on the other side. There are plenty of clever scares here, with actors popping out right in front of you, waiting in unexpected areas, following you and even one who yells that he’s going to get you long before you meet up with him. While while waiting in line for the haunted hayride after completing the maze, I overheard him leading the entire haunt in singing the Freddy Krueger song. That must have been pretty freaky for every customer inside at the time. If your name is spoken while you wait in line, you’d better believe the monsters will make things personal. Very few of them do the old “pretend to be a dummy and later come to life trick,” although there are plenty of static dummies inside to help keep you guessing. There are also some still displays, such as a cannibal cookout and a skeleton in the gallows.

After exiting the haunt, you’re herded into a line for the haunted hayride. Colored lights provide an interesting atmosphere and you can occasionally see actors leaving the haunt after their shift ends (or even venturing out into the area the hayride is held in). One actor in particular, a scary-looking gentleman in a beat-up trenchcoat and fedora, made sure to wander close by the hay wagon to spook people before departing. The two wagons used in the hayride utilize a cage-style wagon like the one seen here rather than the usual wooden wagon I’m used to. That said, I was pleasantly surprised to find that this did not cause any major visibility problems when it came to the scares. Speaking of which, I think you’ll have the best experience by sitting on the left side of the wagon, possibly towards the end. A lot of the scares and scenes seemed to favor that side, although the hayride was designed to try and offer a much of the same scares on both sides as possible. That said, the position I was in (toward the center on the right side) had its perks and I was able to freely look around to take in as much of the scares as I could. While much of the area is wide open fields, the Hanson family has used several tricks to cover for that fact. In addition to the various buildings (both regular farm stuff and setups built for the haunted hayride) dotting the landscape, some scenes are hidden in darkness until hidden lights turn on. That said, there are a couple of times where you can see lighted areas ahead, along with light from neighboring houses, but I didn’t find it to be too much of an issue. It wouldn’t surprise me if, in the future, they try blocking the houses and the distant upcoming scenes out of view with larges scarecrows and the like. There’s only a scant few parts where monsters jump out of nowhere, everything else involves a scene of some kind, like a cemetery and spooky shack. And when they do leap out at the wagon, they go the extra mile and constantly attack it with weapons! There were a few areas that would have benefited from having some monsters jump out at you, such as the “Egor” section that had things like a giant pumpkin with a hole in it and an idling car, but nothing happened while we went through it! Speaking of going the extra mile, I was shocked that numerous scenes used real flames! There were some seemingly unintentional surprises too, like the giant puddle we had to drive through, in addition to the huge bump that nearly threw the girl next to me out the door! The ending featured a great return to some aspects of earlier scenes in the hayride, along with adding some new material. On the way out, don’t forget to check out the volunteer sign-up sheet on a table to the left. If it wasn’t for transportation and scheduling issues, I definitely would have signed up.

As you can imagine from that last sentence, the haunt has a large volunteer staff, which might explain why some of the creatures (especially toward the end of the hayride) were of the “person in regular clothes wearing a mask” variety. While I understand the difficulty in having enough costumes that can fit a variety of shapes and sizes, it would have been preferable if the monsters wore hooded robes or all black. While street clothes can work on a chainsaw maniac or a zombie, it doesn’t work for all characters. Similarly, gloves are a must for most characters. If you’re trying to convince me you’re a stuffed dummy instead of an actor, showing your bare hands makes it a bit hard to swallow. While in the maze, I also caught a few actors not wearing their masks, which is a big no-no. Thankfully, there were very few props that didn’t compare up with rest of the ones used in the haunt and, overall, both haunts were fantastic.

Despite its little-to-no competition, Hanson’s Haunted Farm and Hayride has not rested on its laurels and phoned in its haunted attractions. Given how the cost works out to about $7 per attraction for adults, it’s a great deal and you’ll definitely get your money’s worth. I understand that in both haunts, some scenes change and others are retained for the next year, which means you’ll never experience them the exact same way when you visit in future years. So if you’re in the area, make sure to visit!

Final verdict: 4 skulls out of 5 (for the total experience)

UPDATE: Hanson’s Farm now has two alternate websites online. Also, the yard haunt mentioned above has become a full-fledged haunted attraction, so be sure to visit both attractions if you get the chance. You won’t regret it!

Special thanks to Hanson’s Farm for the use of the image!

Music to Haunt By: Sonic Realm

Sonic Realm
Official Site
Halloween Horrorscapes, Koberlin Studios 2007

You try joking about this!

Halloween Horrorscapes is a very interesting case. Although it’s an album of soundscapes, there’s just enough music in it to keep it from being your typical scary sounds CDs. Also separating it from the usual Halloween fare are its intense, not entirely kid-friendly nature and its use of layered sound. While not 3D audio, it does provide depth to the tracks. For example, things are heard in the distance in several tracks, while storm sounds become muffled when one soundscape enters a house. Sonic Realm also has the distinction of being one of the few groups in “Music to Haunt By” to have their work featured on Music Choice’s “Sounds of the Seasons” channel every October.

Things kick off in “Stormy Awakening (The Dark Forest),” which starts off with the sounds of a storm in a spooky forest. It’s an inverse of most songs featured in this series, with sound effects dominating lightly-used (but effective) music. The sounds of rain and thunder are constants, as are cawing birds, screams, evil laughter, fire and chainsaws. These are only a mere smattering of the sounds you’ll hear, as there are for too many to document. As for the music, there are some great drums and piano work, especially during the “guy running and later being torn apart by wolves” segment. While you might not think the sound of a falcon would fit in with scary sounds, this track proves you wrong. That said, there are some sound effects that seem out of place in a haunted forest, such as electrical equipment zapping. That said, the overall soundscape transitioning seamlessly into “Blood Hunt,” which has great drums at the opening. In addition to the wolves, rain and chainsaws heard in the last track, this one offers up many new effects, like ghosts, monsters and creaking doors. There’s also “heavy” music in the background at times. The album has mixed bag of screams. Some are great sounding classics you’ve heard elsewhere, some appear to have been recorded especially for this album, and a few others seem a bit off to me. But that is just my opinion, your mileage may vary. In fact, I suggest that you check out the official album samples on Amazon and iTunes before making a decision.

Clocks tick, wind whistles and monsters growl in “The Dead Will Rise.” Said growling (and roaring) accompanies the sound of a creaking door, footsteps and someone being eaten, which make for a great effect. We also get running water and stock monster roars mixed with a creaking door, footsteps and victims being devoured. Running water, whippoorwills and heartbeats are joined with touches of creepy music (especially the violin riffs and moaning chants). Eerie, synth-sounding music is heard in “Alone at the Cabin,” along with chimes. We hear breathing and rain, the latter of which becomes muffled after we hear a door close and footsteps. Our unseen protagonist is soon attacked by some howling beast, which leaves the cabin for more prey with an evil laugh. Despite the creaking of a closing door, things are only just starting on “The Lab Experiment (A Rebirth).” Bubbling potions and electrical cracks go perfectly with the storm effects. Breathing and an evil laugh hint at the awakening of a man-made monster. The door opens to panicked villagers, various bird calls and music “stings.” With an evil laugh and electricity crackling, the villagers soon meet their fate. The mad scientist even decides to join in on the fun with a chainsaw! Rain and hoof beats signal the arrival of “The Headless Horseman,” whose ride sounds like no ordinary horse. The overall effect is like caught in forest during a storm while trying to run from the horseman. Some might question why the horseman can laugh evilly without a head, but why should that matter when he can ride a horse and effectively chase people without one? Synth music takes us away from the horseman and to the sounds of digging and a man being attacked (and eaten) by a monster. Spooky drums are coupled with the sounds of numerous screaming victims, wind and chainsaws in “Killing Spree,” which is perfect for any “mad slasher” room (especially if you have a few actors portraying victims). In what can easily be considered a Halloween CD first, “Electrocution in the Shower” features someone (or something) coming inside from storm. As we hear the sound of someone showering getting closer, the guest activates a TV and throws it in. Scary music seems to signal them to go outside with the sounds of ravens, wolves and digging in a storm. “The Transformation” has us hear walking and growling, along with violin riffs and unisex chanting in storm. In addition to the various bird effects and evil laughter, there’s lots of eerie music here (with an effective piano slam). “Fear (Death by Axe)” has a scared person going inside from a storm. They hear a roar and try to hide, but the opening door accompanied by the sounds of footsteps, growling and a swinging axe seem to indicate they are far from safe. While the ticking clock, scary synth music and heartbeat stretch things out, the evil laugh and scream tell us that the hider has been found. We fade out with thunder…

In short, Halloween Horrorscapes is an amped up version of those spooky sound effects CDs you find everywhere come October. All the tracks are suitable for looping and transition into one another seamlessly. Do the soundscapes stick entirely to the theme suggested by the titles? Usually no. Will it scare kids? Yes. Hell yes. While I would have preferred more of an adherence to the theme suggested by the titles, that doesn’t mean you can’t use the tracks in a haunted house. For example, you could use “The Headless Horseman” in a room divided up into sections featuring the Headless Horseman, a gravedigger and a monster eating someone. Alternately, you could have someone in a “control center” stop the track just before it reaches the point where its starts sounding the way that doesn’t fit your haunt. If you do an old fashioned “touch ‘n feel” haunt with a blindfolded patron, then the tracks can work perfectly. You could lead someone through a “haunted forest” (dimly lit room with leaves and twigs on the floor) while playing “Stormy Awakening (The Dark Forest)” and “The Headless Horseman,” explaining that the forest is filled with mutations and equipment from a mad scientist. After entering the scientist’s castle (a doorway with threads hanging down, using one of the many tracks featuring a person entering a house), they can be led to the lab to inspect body parts (the blindfolds being used to protect the mad scientist’s identity) while “The Lab Experiment (A Rebirth)” plays. During the chaos, you tell your patron that the doctor is gathering more parts as “Killing Spree” plays (while flicking your wet fingers at them to simulate blood splatters) before you take them to a room where they can remove the blindfold and wash their hands.

I am also aware that many people like to cram as much spooky stuff together as possible in yard displays and haunted houses, and don’t necessarily care about how realistic such a grouping is. Halloween Horrorscapes is perfect for such setups. In a way, this album also hints at the future of “Music to Haunt By,” as next year’s installment will be called “Music to Haunt By and Sounds to Scare By” since the amount of spooky ambiance albums seems to be fading while the number of spooky sound effects albums is increase. While not your typical ambiance album, Halloween Horrorscapes is definitely work picking up.

Special thanks to Sonic Realm for the review copy!

Gravedigger’s Local 16 is not to be held responsible for the content on or anything that may occur (be it good or bad) as a result of visiting any links on the above sites (or constructing a project that’s detailed on them). This also applies to the suggestions made here. Attempt at your own discretion.

And here, I just changed my diet.

Got to cut out the fried food, y’know?

 

 

 

Music to Haunt By: The Dark Tower

Nox Arcana
Official Site
The Dark Tower, Monolith Graphics 2011

AIGHT BLAH!

What can I say about Nox Arcana that hasn’t already been said since I last reviewed them in “Music to Haunt By?” Well, this is the second time I’ve reviewed them for this series (unless you count the band members’ participation in Buzz Works as Nox Arcana albums). This is also the first time I’ll be reviewing a Nox Arcana album that’s a literary tie-in, as it’s a companion piece to band founder Joseph Vargo’s anthology Tales From The Dark Tower. The album also marks the return of our old friends, the Gregorian Shadow Choir.

“Darkness Rising” uses tolling bells, soft chanting and string work as a prelude to Vargo’s spooky voice, which speaks of spirits, vampires and gargoyles inhabiting the Dark Tower. If one features an animatronic character to greet patrons of their haunted house, this track would make a fine introduction to any setup based around (or involving) a tower. If one is not available, a simple cardboard facade in front of a door could create a “tower.” “Born of the Night” starts off with pounding noises, violins and snippets of organ work. Female chanting leads to unisex chanting and tolling bells that provide an unrelenting feel. While the title might surprise Midnight Syndicate fans, I should note how Mr. Vargo used to be a member of the band and how the names of his paintings were used as song titles. A heavy intro in “Crimson Thirst” leads to light piano work with touches of string work and bells. The female wordless vocals add to the eerie feel. “Vasaria” has similarly heavy intro that makes it seem like something menacing is approaching. Wailing violins and chanting add to the effect, while the bells provide a touch of elegance. “Vesper Tolls” features tolling bells (of course) and mixed chanting, which make for an effective combination. Said chanting is a mix of low chanting of male with somewhat louder female chants layered on top. “Path of Shadows” has low pounding drums and lurking tone conveyed by the music. Light violins contrast with the percussion, organs and chanting. It’s perfect for any haunted hall, trail or haunted forest scene. In “Banshee,” wolves howl, ravens caw and we gradually become aware of a low moaning chant by a woman that increases in volume. A female spirit tells of both the animals and power of the banshee’s cry. This could definitely work with a banshee scene or even a hooded ghost, especially if you have a “museum of the weird” setup. “Ghost at the Gate” features great piano work and groaning effects. Said effects give way to distant tolling bells and ethereal female chanting. As you can imagine, it’s great for a ghost scene, especially one using a flying crank ghost.

“Nightwatcher” features scary organ music (not the usual “Toccata and Fugue in D Minor”), along with the occasional pounding percussion and distant chanting. Whether it involves a still prop, animatronics or a live actor, this goes great with a phantom organist scene. “The Dark Tower” features a spoken intro that uses the infamous “abandon hope” quote, which makes it a good introduction for a haunt or an entrance to a tomb or crypt scene. There’s also chanting in background, which soon takes center stage. The feel of sinister forces at work is aided by the pounding drums and Latin chanting. “Haunted” uses thunder, soft cries, chanting and a harpsichord to conjure up sense of antiquity. The chimes take on an almost music box-like tone at one point, which give this haunted nursery potential. The frantic string work bells and chanting excellent piano solo in “Vampire’s Kiss” are soon followed by bells. The female chanting takes center stage, but the organ work is nothing to sneer at. Soft piano work grows in terms of both intensity and volume in “Undying Love.” There are music box-like chimes at points, along with some bells and chanting. This would work perfectly in a vampiress or haunted woman’s room scene. “Masque of Sorrow” has powerful intro with chanting and organ work. Violins come into play later, as do bells. “King of Fools” starts with a soft plinking piano solo, but soft chanting slowly works its way in. Chimes and bells follow later. If you have a scene featuring a spooky throne with a (un)dead king in it, you need to use this track. Moaning wind opens the very short “Something Wicked,” which leads to thunder and sinister female’s (witch?) voice recites the poem from the liner notes. Said poem is inspired by (and not from) Ray Bradbury’s 1962 classic Something Wicked This Way Comes. Ravens’ cawing joins distant moans in “Sinister Forces.” Female chanting and organ work give way to pounding violins. It’s almost playful in tone, which means you could get away with using in a haunted circus setup. The soft and fast plinking tones in “Immortal Fire” soon gave way to something heavier, along with plenty of female chanting. “Sorrow’s End” opens with soft piano work that leads to soft female chanting. “Dark Desire” conveys a sense of dark elegance or regality using soft, speedy plinking tones, tolling bells and chanting. Once the heavy piano appears, it never lets up. “Noctem Aeternus” means “eternal night,” and the chanting and organ start immediately. The bells and increased chanting add to the feeling of darkness. Those who wait patiently will be reward with a few short bonus tracks. The first consist of whispers of things like “We are watching you,” which would go well in a “face room” or in a haunted yard display involving staring faces and glowing eye effects. If you wait some more, a spooky intro and violins create a pounding theme with plenty of chanting and bells.

While somewhat talkier than your average Nox Arcana album, it’s still chock-full of the scary musical excellence that Nox Arcana is known for. So whether it’s for home haunting, Halloween displays or just some musically accompaniment to Tales From The Dark Tower, you definitely want to pick up this album.

Special thanks to Monolith Graphics for the review copy!

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Music to Haunt By: Dead Rose Symphony

Dead Rose Symphony
Official Site
Dead Rose Symphony, McWhorter Records 2008
The Dark Gift, McWhorter Records 2009
Spectral Evidence, McWhorter Records 2010

The acoustics are great in here!

Dead Rose Symphony is the most intriguing band I’ve ever reviewed for “Music to Haunt By.” Their unique blend of spooky ambiance and rock music is fantastic to listen to, but admittedly doesn’t always fit in with the standard haunted house. But, given how their music was not originally intended for such a purpose, they should not be faulted on that. While it is possibly to use several tracks in a regular haunted house, you might want to maximize track usage by taking a page from Whodini and doing a “Haunted House of Rock.” Using rock music to scare people is not as crazy as it may sound. In fact, our very own Atomic Mystery Monster once participated in a two part thread devoted to the use of rock music in haunted houses. Truth be told, I think Daemonia’s take on the Suspiria theme song is creepier than the original and is greatly aided by it’s increased rock focus!

In the following review, I’ll be noting what tracks are best suited for use in a standard haunted house and which should be used in a haunted house of rock. As writing the phrase “haunted house of rock” can get tedious, I will sometimes opt not to use it and let the readers figure out which tracks best suit that theme by seeing whether or not I mention the use of guitars in my commentary.

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Strange Trip: Critters 2

When I started to do these ‘strange trip’ reports, they started off as a moment-by-moment commentary but I bit off more than I can chew. Plus, reading a bunch of time-coded comments? How fun could that be? Until I find a way to create a GDL16 series of subtitles you can drop in with your computer’s movie player, I’ll keep these STs to a ‘bite size’ variety, much like last year’s Halloween Countdown adventures.

Last year, the movies all began with H: Hellraiser, House, The Howling, etc. I burnt out with Halloween by the time the eponymous holiday finally showed up but that’s what I do ever year. Burn bright, burn fast. It’s all about pacing. Either you end up making it through the meal, or you choke.

This year, it’s time to hit up the salad bar for seconds. It’s time to get into the wonders of sequels. The Horror genre is notorious for cranking out films that capitalize on horror’s known low-overhead/high profit system. If Jeepers Creepers 4 is shot for 3 million and pulls in 7 million during a short run at the box office before it makes an additional 5 million in DVD sales/VOD rentals/whatever, some shitty movie has brought in four times its budget. SUCCESS.

A much as sequelitis might cheapen things, when you start out low, you can’t go much cheaper than dirt. There’s not a lot of respectable content in the Ghoulies franchise. Or in what we’ll start this Countdown off with: Critters 2.

For this month’s Strange Trip series, I picked sequels that 1) I haven’t seen or if I have, my warped memory, corroded by years of excessive internet use and American junk food, can’t recall the exact details and 2) don’t require prior knowledge of the first movie in order for shit to make sense. We’ll see how well that second requirement holds up. I remember that I’ve seen both Critters and Critters 2 but that was back before the Clinton administration.

The general concept is that a Critter is what you get when you cross a porcupine with a piranha and give it the appetite akin to the greed of a Goldman Sachs worker.

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There’s a Trail of Terror in my Lungs

The crap I’ve been coughing up is like an early Peter Jackson movie.

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