"What is he that builds stronger than either the mason, the shipwright, or the carpenter?"
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As I noted back when I reviewed Winterbeast, I have a fondness for regional horror films. There’s just something about the rough, “do it yourself” indie vibe combined with the time capsule nature of such films that speaks to me. The best way I have to describe it to someone who has never seen such a film is that grainy footage of an alligator jawbone hanging on a porch by a meat hook from the opening title sequence of True Blood. Truth be told, that brief clip excites my imagination far more than the actual show does! So when I stumbled across a reference to a 1988 horror short called The Legend of the Pope Lick Monster, you know I immediately had to look into it.

The Pope Lick Monster is said to reside in Louisville, Kentucky. More specifically, under the Pope Lick trestle that stretches over Pope Lick Creek. Why the funny-sounding name? The term “lick” refers to a type of small stream while the “Pope” part is a reference to the surname of an important historical figure from the area’s past. Legend has it that the Pope Lick Monster is a satyr-like combination of human and goat who delights in luring unwary passers-by onto the tracks to meet their doom when a train goes by. As is the case with many urban legends, there are numerous contradictory versions of the creature’s origin and motives. Personally, I think the theory that parents made up the monster in an attempt to keep children away from the dangerous trestle is the most likely. After all, there have been plenty of people who have been killed or injured due to their visiting the trestle.

Naturally, this alleged creature captured the imagination of a filmmaker. Independent filmmaker Ron Schildknecht, to be precise. In 1988, he and a small cast put together a 16 minute black and white short film about three youths growing up in the area and one’s brush with the monster. Although the $6,000 film was able to premiere at a local movie theater, not everyone in the area was pleased with the idea. Officials from Norfolk Southern Railway (who own the trestle) were concerned that the film would inspire people to visit the trestle and possibly even attempt a dangerous stunt depicted in the movie (which was actually filmed at a different, safer location for that particular segment of the short film). To prevent any accidents, they had a statement warning of the danger read before The Legend of the Pope Lick Monster was screened.

When I sought out information about Mr. Schildknecht and the film, I fully expected to either find a dead end or a bemused man who would express shock that anyone outside of Louisville knew or cared about a film that was only shown once. Instead, I found that one could purchase a DVD of the film at his official website, along with DVDs of his more recent works! Interestingly enough, the online press material for the film claim the monster is half sheep! I was also pleased to see that he had uploaded a clip from it onto Youtube to promote the DVD:

Although the DVD only contains a single short film, it also boasts “digitally remastered video and sound; English subtitles; Stereo and 5.1 Surround Sound audio; Scripts; [and] Outtakes.” Not bad for an independent short film. If you order a copy, please write in to let me know what you thought of it. I suspect that orders will go up thanks to the upcoming release of a feature-length horror film about the monster. However, Mr. Schildknecht has nothing to do with the film, simply titled Pope Lick. Only time will tell how it compares to The Legend of the Pope Lick Monster.

The tagline really says it all, doesn't it?

You know you’re in trouble when the creepy occult guy you’re doing business with suggests that you try a more traditional method of revenge rather than summon the ancient demon of vengeance that you’re paying him lots of money to do. But the mystery man in the movie insists on using the demon and after a little bloodletting, Killjoy appears. But he demands more blood as not only is he only partially formed (his hair is gone, revealing a nasty set of horns), but he also wants some helpers this time around. Using aspects of other demons, he creates: Punchy the boxing hobo clown (Behemoth), Freakshow the Kuato twin mime (Gemini) and Harley Q…er…Batty Boop (succubus). But the revenge-seeker vanishes before the necessary sacrifice and the demonic clowns are sucked into a mirror.

Meanwhile, a house party is broken up and four college students (Sandy, Roger, Erica and “Zilla”) are left to clean up the mess. Over the course of their clean-up, it’s revealed that Sandy is house-sitting for one of her professors (who is due to return within a few days). As you’ve probably guessed, the professor is the man who paid to have Killjoy summoned and the mysterious mirror that gets delivered to the home is the one containing Killjoy and company. Thanks to the mirror’s magic, the friends are magically trapped in the house and they’re soon lured into Killjoy’s realm. Who will survive and what’s the professor’s agenda? You’ll have to watch to find out…

I’ll admit it, I really wasn’t looking forward to watching Killjoy 3. I remember having my enjoyment of a promotional video from Full Moon being dampened by the clearly SOV clip from the first Killjoy appeared and drastically contrasted with the quality of the other clips. I recall the near-universal hatred of the films back when they first came out and I’ve always associated the character with the sort of cheap, “farmed out to an other production company” films from the dark days of Full Moon’s near death. But to my surprise, Killjoy 3 wasn’t that bad. In fact, it’s easily the best entry in the Killjoy franchise. Granted, that’s hardly the greatest of achievements, but it does suggest a positive future for the series should they continue making installments. Ever wondered how a clown-themed demon with a relatively modern name could be an ancient demon of vengeance? It’s actually explained in this film, with the revelation that Killjoy has appeared under many names and forms in the past, with his Killjoy personae being the most recent. There’s also some stuff about how belief creates demons which, although never explicitly stated, could explain how Killjoy went from being the result of a black magic ceremony involving a toy in his first appearance to being an apparently well-known ancient evil in the second film.

But there are plenty of problems mixed in with the good stuff throughout the film’s 78 minute running time. Even though Killjoy and his cohorts are clowns, most of the humor isn’t actually funny. The attempt at doing a live action of the Looney Tunes referee routine is particularly painful. I only recall laughing at some Rocky references during a boxing scene and Killjoy’s reaction to a character’s bargain is a scream. Come to think of it, the sequence where Zilla tries to convince Punchy to rebel against was pretty amusing (and clever, to boot). It’s a shame, as the actor who plays Killjoy (Trent Haaga) is a very talented and funny guy. It’s a shame that he didn’t write the script (or was given complete freedom to improv), as the end product would probably be a ghoulish laugh riot under those circumstances.

But the lack of genuine laughs isn’t the only problem. Despite the constant references to Zilla’s childhood in the movie, no background is ever given. Instead, his background as an awkward nerd who bulked up and became a star football player is briefly mentioned in the making-off segment. Another scripting oddity is the mirror world itself. At first only a person’s soul enters the mirror realm, but later people are actually transported there. While the members of Killjoy’s posse are somewhat interesting, they’re treated as being largely disposable by the film, especially towards the end. Another aspect of the characters that annoyed me was the handling of the “created from aspects of other demons” origin given to them. The Behemoth one was fine, but the Gemini twins
can hardly be considered demons and would it have really killed the scriptwriter to visit Wikipedia to actually get a succubus name?

The widescreen transfer and audio are both excellent. I was very happy to see that this didn’t appear to be shot on video like the original. There were some moments where the visuals seem dull, but the behind-the-scenes featurette seems to imply this was actually an intentional choice using a fog machine. Speaking of which, “Killjoy 3: Behind the Scenes” consists of a series of promotional Youtube vidcasts that were made to promote the movie while it was being filmed in China. We get to see parts of the movie being filmed, the Chinese crew building the set, actors talking about their roles (watch out for spoilers) and the like. The main attraction is Trent Haaga, who hosts many of the videos while in full costume (and in character). He really hams it up as our personal tour guide through the studio and I laughed more throughout the featurette’s roughly 16 minute running time than I did during the entire movie. It also answered my question about how it was for the actress portraying Batty Boop, whose “costume” was merely a wig and body paint. The camera tastefully shows her from the neck up during the application of body paint and she’s seen in a robe between takes. If she hadn’t been pointed out when she appears out of make-up and in regular clothing, I never would have made the connection!

Up next is “Killjoy: Vintage Behind the Scenes,” the SOV making-off segment from the first movie. Why was it included? My guess is that it’s here both to reinforce Killjoy 3′s connection to the first film and to show how the franchise has evolved since then. One look at the original Killjoy make-up (and performance by Angel Vargas) drives that point home real quick. Clocking in at just under 12 minutes, it provides a nice mix of clips from the film and behind-the-scenes footage. Everyone involved is incredibly enthusiastic about the film, and the executive producer corrects predicts that there will be a sequel.

Rounding out the disc are the trailers, which include Puppet Master: Axis of Evil, Demonic Toys 2, Skull Heads, Oblivion The Haunted Casino and all three Killjoy movies. The one for Oblivion seems to be the original trailer from 1994 rather than a newly made one promoting the DVD release (a nice touch), while Big City Pictures and Tempe are credited in the previews for Killjoy and Killjoy 2 respectively. As was the case in The Haunted Casino DVD, the trailers vary in aspect ratio and quality.

Bizarrely, there is no chapter selection menu despite the fact that chapter stops are included on the disc! When I contacted Full Moon about this, the person who responded to me theorized that this was an attempt at “streamlining” the disc. Given that the film was originally only available as part of a Killjoy boxset, it’s not impossible to think that it was treated like a bonus disc and wasn’t given the same treatment as a DVD that had originally been available separately. No matter what the case was, Full Moon should never omit a chapter selection from its DVDs, lest they wish to make their products seem like something from the cheapest of the bargain bin DVD companies.

Special thanks to Full Moon Features for the review copy!

Back when I was just a tiny tot, I once read a children’s “making of” book about Star Wars Episode IV: A New Hope. One of the facts listed inside was that some of the creatures in the famous cantina scene were actually recycled costumes from horror movies. It made sense to me, especially due to the werewolf-looking alien that briefly makes an appearance. Although disappointed by the book’s lack of information about which aliens came from which movies, I assumed that I’d eventually see the movies the costumes were from someday.

But as the years went by, I became more suspicious of this claim. Despite seeing more horror movies than I can count, I had not seen a single monster in one that looked like one of Mos Eisley patrons. Similarly, searching through numerous official trivia guides and countless websites yielded no reference to reused costumes. Was the fact I had read years ago false?

After much fruitless searching through the IMDB’s trivia pages for each installment of the original trilogy, the trivia section for 1978′s infamous Star Wars Holiday Special had something interesting in it. Apparently, a rat costume from The Food of the Gods was used to create an alien being in the special’s version of the cantina. Perhaps that book from my youth had gotten its cantina facts mixed up?

No, it hadn’t. After much research, I stumbled across proof of horror movie prop repurposing in the classic film. According to this, special effects legend Rick Baker recycled some monster gloves from It’s Alive for one of the aliens. He also reused a furry costume that made for a Halloween show based on The Exorcist given at Bob Burns‘ house and some masks he had made as a fun way to test his skills (which he also used for Halloween)!

In celebration of my finally solving this puzzle after so many years, here’s a song that uses the same title as this article:

To quote the description given at our third episode’s official listing:

“‘May is Zombie Awareness Month! So before you get sick of them (if you’re not already), we bring you this episode of 6′+ dedicated to the decaying. That’s right – it’s all ZOMBIE related music for this episode.”

So be sure to have a listen, in addition to bookmarking 6ftplus.com.  After all, you don’t want to miss a single episode, do you?

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