Nox Arcana
Official Site
Transylvania, Monolith Graphics 2005
Nox Arcana was one of groups that inspired me to do the “Music to Haunt By” series and have been a constant presence ever since then. Given how 2013 is their 10th anniversary, it would make sense for me to review their newest release that’s inspired by fan suggestions: Legion of Shadows. But since that won’t be available until Halloween, I thought I would cover their fourth album instead. That album? Transylvania.
“Transylvania Overture” sets the mood with an eerie male chorus and winds, while Joseph Vargo narrates about nightfall and the undead rising. Imagine this being “spoken” by a guest-activated tombstone or some other prop. The soft organ work and unisex chanting in Latin add to the effect. Unlike other Nox Arcana narration tracks, there’s a much longer music break here. In “The Voyage,” the soft piano opening soon faces dark synth intrusions, along with wonderful string work and organs. The often male-dominated unisex vocals and tolling bells also add to the overall feel. In addition to vampires, this can also be used in a scene with a phantom organist. The sound of wind both opens and is a constant presence in “Gossamer Mist.” The moody and unsure piano work goes work with the wordless male and female vocals. If you have a room filled with fog, be sure to use this. “The Black Coach” offers deep and stirring piano notes coupled with beautiful string work. The addition of creepy wind and storm effects, along with a unisex choir and wailing, really gets blood pumping. The sounds of wind ushers in the short (forty-four second) “Sentinels of Stone.” After hearing stone grinding upon stone, a scary gargoyle voice describes their role as guardians and how none shall trespass. “Into the Shadows” mixes fast, pounding music and low male chanting (which is soon joined by wordless female vocals and ghostly wails). There’s also some great string work and even snare drums make a surprise appearance without taking away from the scares. The female yell-chants at the end are a great touch that helps the track’s mood of excitement and danger. In “Castle Dracula,” a pipe organ and wordless female vocals are joined by tolling bells and male vocals. Wordless female vocals also feature in “Visitors in the Night,” in addition to moans, whispers and wind. As Dracula’s brides ask the listener to come with them, the track seamlessly segues into the ethereal-sounding “Brides to Darkness.” Interestingly enough, there are extra soft male vocals to be heard in the background, along with an “old” sounding harpsichord.